Blood Bunny is reassuring, and as a body of work is an example not just of someone going through this same turbulence, but flourishing regardless.
Whether channelling her larger-than-life musical heroes or shrouding her music in something more subtle, Moriondo’s lyricism shines through.
Blood Bunny is one of those highly accessible mainstream pop albums that is somehow able to completely retain its own personality.
A 13 track evocative portrait of emotional exuberance, ‘Blood Bunny’ is her true point of departure.
This pretty much outdoes girl in red's album in almost every aspect as far as lesbian bedroom pop goes
I got recommended this album by a friend, as almost a year ago I started "reviewing" music as a hobby. As a result, I've been recommended a wide variety of music and different genres (as you could see by going on my profile). Going into the record, I had no idea what to expect. However, I was pleasantly surprised, seeing as I liked the opening track on a first listen.
The album as a whole gives me nostalgic vibes because some songs remind me of early 10s or late 00s hits, despite it ... read more
Look, I like sad edgy songs with cringy yet endearing lyrics, but something about this album just doesn't grab me. There's a few really solid tracks that'll stick in your head like "Rly Don't Care", "I Want To Be With You", or "Take Your Time", and the entire thing itself isn't that bad. But for the most part this album really doesn't keep up enough momentum to justify 13 tracks, and a lot of it just kinda passes by forgettably.
#5 | / | The Alternative |
#13 | / | Dork |
#13 | / | The New York Times: Jon Caramanica |