Delta Kream

The Black Keys - Delta Kream
Critic Score
Based on 17 reviews
2021 Ratings: #365 / 514
User Score
Based on 261 ratings
2021 Ratings: #526
Liked by 3 people
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CRITIC REVIEWS

90
American Songwriter
While even this stellar lineup can’t truly replicate the dangerous backwoods stomp that injected a shot of adrenaline into the bloodstream of Carney and Auerbach all those years ago, it comes awfully close.
80
Uncut
You can’t turn the clock back, of course, but in “Sad Days And Lonely Nights” you completely understand how the simple groove and ringing of the strings might act as a revivifying tonic.
80
Mojo

Their back-to-our-roots arc is hardly new, (cf the Stones’ Blue And Lonesome), but this music is timeless, alive, and about as good as it gets.

80
The Arts Desk

Delta Kream is a very easy album to like. That’s also, in part, down to an easy-going, off-the-cuff feel throughout – great room reverb, a few false starts, a sense of players picking up the pieces and falling into place.

80
The Independent

Delta Kream celebrates true musicianship. There’s no polish here – these songs are muscular, grime-covered beasts squelching through the mud of history.

80
The Guardian
The pair have returned to the simpler joys of their early records... they sound thoroughly in their comfort zone and utterly in their element.
80
Slant Magazine
The album solidifies the Akron duo as one of the most vital and credible blues-rock bands active today.
75
Entertainment Weekly

Kream was recorded in a mere 10 hours, and it often feels less like a distinct set of songs than a deliberate mood.

70
AllMusic

Laconic and acidly textured, Delta Kream is a perfect balance of the Black Keys' lo-fi swagger and keen ear for the Mississippi blues traditions that inspired it.

70
Clash
When it works, it certainly works – potent and atmospheric ‘Delta Kream’ undoubtedly has its heart in the right place, while the core material stands as some of the most addictive elements of modern blues songwriting.
68
Pitchfork

The Black Keys put their own spin on this Mississippi blues, turning it into something that sounds supple and comforting even when the tempo ratchets up to a boogie, which it doesn’t often do on Delta Kream.

60
Rolling Stone

Even at its best, the record sounds like bonus tracks for some more exciting release. Sometimes history's bounty is best left unmessed with.

60
DIY
It’s likely to appeal mostly to Dan and Patrick’s fellow blues nerds over anyone else.
60
NME
While this record is unlikely to bring the band or the cultural touchstones they cover back to the top, it’s a soul-searching move that satisfies their own fandom while showing they’ll never compromise.
60
musicOMH

Even though it has some misfires, this album is still understatedly fun, driven by a pure zest for blues music that is impossible to shy away from.

halbery
70
The Black Keys are an American rock duo from Detroit, Michigan formed in 1997. The group consisted of Dan Auerbach (songwriter, vocals, guitar, piano, and mandolin) and his one-time wife Patrick Carney (drums and vocals). After releasing several singles and three albums within the Detroit music scene, the Black Keys rose to prominence in 2002 as part of the garage rock revival scene. Their successful and critically acclaimed albums The Big Come Up and Thickfreakness drew attention from a large ... read more
Valeyard
70
Old car on a Black Keys album cover. I mean... What can go wrong?
Z.Younk
75
Not the tedious blues rock covers I expected them to be, but this setlist is about as "dad rock" as modern music gets. I'm from Ohio, I love stoner rock and all the other genres the area's known for, but I can't go all in on this one, being that it's a nostalgia-reliant covers album when new material is so few and far between. It still functions as a Black Keys album that isn't out of the realm of what fans want and expect, so should find its success easily enough. They've made these ... read more
Music_Nerds
71
Like most from The Black Keys this is easy on the ear, the vocals are great too here and this is an enjoyable album, like it’s good, it’s really good all round but as far as being a ‘blues’ record it’s a little weak sauce.
Quilaiba
36
Nears 'Here Comes the Cowboy' levels of flatness and monotony. If these covers are definitively blues then fine, some people may appreaciate it, but there is nothing interesting at all of note on the entire album. The song performances are lifeless and unlike previous Black Keys hits there is little in the way of catchiness and vocal highs.
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Added on: April 13, 2021