The Idler Wheel… is an innately private record, as Apple’s tend to be, but she has a way of drawing listeners in as she pushes them away, luring them, siren-like, into the maelstrom of her own reflection.
You have to give yourself over to The Idler Wheel in a way you probably haven’t done since you were a kid, before jobs and other adult responsibilities claimed the long hours you spent curled up by your stereo speakers. It isn’t easy listening. But it’s worth it.
Apple has quite cleverly developed musically in just the right way, creating something utterly distinct and different to her earlier work whilst still retaining all the characteristics that won fans over to begin with.
The Idler Wheel's spareness does lend it an insular loneliness, one that's divorced from the outside world while also being intimately in-tune with its basic realities.
The Idler Wheel succeeds in creating a singular world more daring than any of Apple’s previous records and one of the most daring pop records in recent history.
The sparse, even unprompted production only makes it richer, resulting in a fascinating unanimity of piano and voice that turns more involving with every clink, clatter, and clap.
Few vocalists can erase the distance between performer and listener as shrewdly as Apple can, and that toggle gives The Idler Wheel its strange power.
Since there’s so little to grab onto, The Idler Wheel might be better understood as an emotional statement rather than a musical one.
The tension created by the lyrics and music is wonderful and uneasy, ensuring that ‘The Idler…’ is endlessly fascinating and unlike anything else you’re likely to hear this year.
The Idler Wheel… is her most adult work yet, a record that’s underpinned by the fundamental grown-up characteristic of embracing one’s own ridiculous, stubborn dysfunction because, Hell, what other option is there?
Whipping Cords seems to require far too many listens to really reach that ‘viola!’ moment—sure to result in exhausted listeners who try desperately to love the record as much as they think they should
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#3 | / | PopMatters |