Using the full musical and emotional spectra to conjure breathtaking beauty, the collection is well named. It may have arrived via computer, but the vision is timeless.
The most heartening thing about In Rainbows, besides the fact that it may represent the strongest collection of songs Radiohead have assembled for a decade, is that it ventures into new emotional territories.
With sumptuous, enveloping production, fluid guitars soaked in reverb, and Yorke's voice at its most soulful, In Rainbows is Radiohead's leanest, warmest and most accessible record in a decade.
It's true that we've come to expect a certain level of genius from this band, but when they actually exceed expectations, as they do here, it's a clear sign that Radiohead will continue to reinvent themselves and drop more jaws along the way.
The most pleasing thing about this Radiohead album is that it truly is a Radiohead album. It’s a band effort with instrumentation in its finest form from those who are refusing to sit in the background behind Thom Yorke.
It arrived by unconventional means, but it's their most conventional work in a decade. And their best.
Radiohead's sudden willingness to embrace their capacity for uncomplicated beauty might be In Rainbows' most distinguishing quality, and one of the primary reasons it's an improvement on Hail to the Thief.
This is still the Radiohead that finds straight-ahead pop structures gauche or just plain tired ... That said, In Rainbows takes tenuous steps back toward more straightforward territory, though with nothing as obvious as a verse-chorus-verse to speak of.
In Rainbows ... comes from a more composed place in their personal and musical pantheon, creating an unassuming but worthy addition to their revered discography.
To the casual listener ‘In Rainbows’ is exactly what you’d expect from Radiohead; intelligent, satisfyingly thought-provoking and sure to be lauded by all who appreciate the less conventional. For the fans it’s the latest evolution of something really rather special.
In Rainbows will hopefully be remembered as Radiohead's most stimulating synthesis of accessible songs and abstract sounds, rather than their first pick-your-price download.
Once you get in, and Radiohead invites us in here more than any other time in its career, the album proves itself to be what we all thought Radiohead couldn’t make again: a masterpiece.
No wasted moments, no weak tracks:just primo Radiohead.
Packed but sparse, thrilling, complex, innovative, simple. Without even a dud bar never mind a filler track, In Rainbows is more than any fan could hope for.
Refracted through the prism of pure pop songcraft, Radiohead sound as ephemeral and variegated as ever, flowering and streaming and as big as the light our eyes can catch.
While it will undoubtedly disappoint fans still pining for OK Computer’s flashes of unhinged chaos, it is a mature statement that shows the band as capable of penning lush and affecting music as ever.
This is a grownup album, made for grownups. It’s the sort of record Nick Hornby could have enjoyed without all of his Kid A angst about being too old to interpret a record’s cryptic signs.
As these ten songs stand, the ’Head remain doggedly experimental but they’ve added a mainline to the heart as well as the brain, chilling and warming in equal measure with orchestral magic, Aphex-y ambience and a futuro-rock masterpiece.
Not an album for the karaoke machine, then, In Rainbows is still tense, nervous Radiohead, but the solicitudes here really soar. It's more quietly confident than triumphant.
Both artistically and in terms of a new business model, In Rainbows is a necesary masterstroke.
Everything meets the band's usual perfectionist standards, but In Rainbows is destined to be remembered for its sales technique, not its songs.
By entertaining this merest glimpse of light in their customary shade, Radiohead seem to have found fresh purpose and life.
Thom Yorke and company have never stopped writing good songs-and this is even more apparent on In Rainbows, a seamless mash-up of the many Radioheads that have been unearthed over the years.
Despite the amalgamation of styles, a technique employed on Hail to the Thief as well, In Rainbows sounds surprisingly focused, as the album possesses its own distinctive qualities.
In Rainbows is like a sigh of relief, a pre-apocalyptic album that’s obviously the work of a full band. It’s the sound of Radiohead funneling everything they’ve learned about space and timing and digital enhancement back into melodic, accessible songs.
After a decade of taking apart rock songs to find out how they work, these technophobic gearheads are ready to start putting them back together again.
Its short, and sweeter than anything they’ve offered in the past. Yorke’s voice has never sounded better. Whilst not their best, it is a worthy addition to their catalogue.
As with almost every Radiohead album, there are moments of brilliance, inventiveness, and surprise.
Sure, Yorke's not directly singing about music as commodity or industry politics, but what In Rainbows will always signify is just that.
Ultimately the songs aren’t quite there. Each has a moment of greatness, but it is often lost in Radiohead’s desire to either build to climax or not build at all.
in rainbows by radiohead was released on october 10th which means it's automatically 10/10
okay, first off: radiohead’s drummer philip selway absolutely went off for this album; ‘in rainbows’ goes. the alliteration, elements, emotions, shifting speed, syncopation, textures.. everything works.
it’s insane how quality and well thought out this project is.
while quickly vocalizing the brief phrase “as your bad day disappears”, Yorke sings the ‘d’ sound/syllable thrice! yet it sounds only once because it’s so fast. he’s ... read more
I love Radiohead, and all their albums are very special to me, but everyone who says “OK Computer” or “Kid A” is their best album are nerds, “In Rainbows” is the best.
WHEEL OF ALBUMS - DAY 27
This review's gonna be a bit short, but while not as good as OK Computer, this album has a lot of great tracks. And Nude was a song that was in the works for years and the end result on this album is excellent. Go give this a listen if you want to get into Radiohead.
Favorite Songs: Jigsaw Falling Into Place, Weird Fishes / Arpeggi, Nude, Bodysnatchers, 15 Step, Reckoner, Videotape
Least-Favorite Songs: None, but Faust Arp is the most mid.
1 | 15 Step 3:57 | 95 |
2 | Bodysnatchers 4:02 | 95 |
3 | Nude 4:15 | 97 |
4 | Weird Fishes / Arpeggi 5:18 | 98 |
5 | All I Need 3:48 | 96 |
6 | Faust Arp 2:09 | 89 |
7 | Reckoner 4:50 | 95 |
8 | House of Cards 5:28 | 92 |
9 | Jigsaw Falling Into Place 4:08 | 98 |
10 | Videotape 4:39 | 94 |
#1 | / | Gigwise |
#1 | / | MOJO |
#1 | / | No Ripcord |
#1 | / | PopMatters |
#1 | / | Treble |
#2 | / | Prefix |
#2 | / | TIME |
#2 | / | Tiny Mix Tapes |
#3 | / | A.V. Club |
#3 | / | NME |
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