The xx - Coexist
Critic Score
Based on 38 reviews
2012 Ratings: #130 / 928
Year End Rank: #24
User Score
Based on 324 ratings
2012 Ratings: #150
Your Review


Drowned in Sound

The xx lay out all of their pieces beautifully. There are no extraneous parts. Not a second that they didn’t intend.

Pretty Much Amazing

What could have been an overly ambitious sophomore effort is instead a concise, novella of an album that makes a deep impression and leaves a mark as it drifts away.

A.V. Club

Coexist presents a version of The xx that listeners will recognize, but cleans everything up a bit, subtly stretching and improving the formula that won acclaim. 


So sultry and sensual it makes The xx sound like beginners’ luck, Coexist is going to be the midnight soundtrack to thousands of seductions over the next few decades.

Entertainment Weekly

It’s exciting to hear the minimalist U.K. trio approach their new-crush odes with such austerity in Coexist — just a few steady-droning Casios and an 808 rhythm that buh-bumps like a heartbeat.

Beats Per Minute

The end result is a quieted, more suppressed record that steps delicately from one note to the next and shines even more of a spotlight on the twin vocal sentiments of longing and crumbled romance. 

Consequence of Sound

Coexist surges forward and retreats within itself more than its predecessor but still never breaks the surface, existing in the liminal space between a song and a thought.

The 405

The album is a testament to what makes them great artists: the ability to take influences and mix in some of their own original thought to create that signature sound.


It hides more than ‘xx’ did, sneaking its miserable joys behind bare spaces, surprise time signatures and subtle dramas.


What makes this music special is what Smith does with all that stylized sparseness, transforming it into something alive and dynamic instead of merely sleepy. Millions of late-night love-letter authors will be grateful.

No Ripcord

Overall, it’s a successful return, and a record that demonstrates the success of their debut wasn’t a fluke and that The xx truly are masters of musical alchemy.

Resident Advisor

Coexist is defined by its moments of silence and spaces between. The album is coloured and shaded gently by textural accents rather than big shifts in mood, or climaxes.


Their second album is a paean to silence. Compressed and contracted by the most minimal of arrangements, the spaces are where you’ll find the band’s emotional secrets.

The Fly

Like their debut, ‘Coexist’ works best when enjoyed as a complete album, the band able to lull you slowly into their own world for 35-minutes.

Time Out London

Jamie Smith’s production is hugely impressive ... His contribution is just one eye-opening facet of a painfully sparse but also startlingly good album, one that almost disintegrates under the weight of its own sadness. 

Loud and Quiet

If it sounds a lot like the band’s first album it also sounds like they’ve worked hard to maintain that level of poise.


While the lyrics are a little lacking, the sonics remain impressive enough to divert attention.

The Guardian

For the most part Coexist's songs are defined as much by space as by sound. The gaps bring greater emphasis to the spidery guitar lines, the occasional steel pan, the distant icicles of piano, and the voices of Romy Madley-Croft and Oliver Sim.


This album is one that begs to be lived with for a long period of time, its quiet details given ample room to germinate.

NOW Magazine

While the basic formula remains, Coexist lingers longer in the realm of sub-bass than its predecessor. Its low frequencies, irregular rhythms and slow-burning dance beats creep into the songs and draw us in deeper.


The most appealing thing about this record is that this band, having created a brilliant and moving sound, returns to it again for another 38 minutes.


It’s a calculated tradeoff: use space and silence to heighten an album’s intimacy, lose some immediacy. 

FACT Magazine

Neither spectacular or deflating, Coexist is simply the sound of the xx, more or less just as we left it: minimalist, intuitive, romantic and enchanting.


It's a good follow-up, just not a great one. More annoyingly, it feels like it could have been better. 


Coexist's exploration of isolation and intimacy is demanding and rewarding in its bold subtlety and eloquent simplicity.

The Line of Best Fit

The basest summation of Coexist is that it’s an xx album on which the songwriting isn’t as good, but the production is better.

Rolling Stone

On their second LP, as on their 2009 debut, the Londoners are masters of restraint, building songs from simple chord progressions, delicate guitar and keyboard ostinatos, the gentle rub of Romy Madley-Croft and Oliver Sim's his-and-hers croons – and, most of all, from silence.


It’s hard not to feel that one of the year’s most anticipated releases only keeps you waiting and waiting for something more to happen.

The Skinny

Coexist is a more sombre, earnest affair; it’s mostly languid, without any of the dancefloor fodder that made the first such a joy.

Slant Magazine

Despite the fact that Coexist is both gorgeous and thoughtful, it’s difficult not to be disappointed by its anticlimactic drift.

Under The Radar

Yes, it's as laid-back and relaxing as pop music can get, but the sparseness has transcended the band's aesthetic and wormed its way into their hitherto impressive creative oeuvre

Tiny Mix Tapes

Coexist is definitely an album for the cocktail hour or for red wine. Alcohol has always been a prop to romance, but only in the short term: where xx was an album that got its hooks in you, Coexist becomes a somnolent atmosphere-in-itself, in which hooks are conspicuous by their absence.

Oct 16, 2016
The first album was a pleasant surprise, this one was also pleasant, but without the surprise element it becomes kind of dull
Jun 4, 2013
A more-than-just-solid follow-up to their striking 2009 debut. If you fault COEXIST for not braving much new territory, then at least give the mega-talented duo cred for providing a sparkling rejuvenation to a facet of electro-pop that has been worked into the ground by far-less inspired acts. (Admittedly, I pondered: if the entire album had taken unexpected flight the way that the rapturous "Swept Away" does, COEXIST might have been one for the books.)
Sep 9, 2012
Not exactly *bad* music, but after their s/t this is disappointing.
Jun 5, 2014
another amazing album by the XX.
Jan 16, 2017
The quintessential "hipster indie kid" album. I remember when this came out that it was jerked off on all over tumblr, people practically fetishized oil spills and this perfectly symmetrical x logo.
With all of that aside, none of the music on Coexist is special at all. Absolutely none of it improves on what was initially presented on xx, and it actually got even more bland and lifeless. I'm not gonna act like this is an absolutely terrible project, but it is a shame to see that ... read more
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Added on: June 1, 2012