Seventeen Going Under is a spectacularly faultless second record that will inspire generations to come: Springsteen might be Sam’s hero but he's becoming a boss in his own right.
Seventeen Going Under is profoundly sad and also a euphoric singalong. It’s hard to know how to feel while listening to it, other than certain it’s a triumph.
Bravely putting his own life under that same microscopic attention to detail that coloured so much of his debut, it is a bold leap forward in all the ways that matter.
The North Shields singer-songwriter perfects his trademark style on a lyrically introspective yet musically expansive follow-up to his hit debut album Hypersonic Missiles.
Sam Fender gives a stirring tour through the poverty and politics of middle England on his polished new album, Seventeen Going Under.
Seventeen Going Under is powerful, essential stuff, a coming of age album that speaks to the human experience in the here and now. Its creator is absolutely the real deal.
Exploring his own internal identity crisis, Sam Fender’s Seventeen Going Under showcases insecurity, socio-political confusion and imposter syndrome against a whirling background of Americana rock.
Despite not quite being as upbeat and full of instant hits like his debut, Seventeen Going Under sees Sam Fender take the listener on a new, personal, and emotional journey that centres around the backdrop of his adolescence and his own sense of morality.
Seventeen Going Under would benefit from more such restraint, to really bring out the vulnerability and sensitivity underpinning Fender’s oeuvre.
Fender has refined both his songwriting and his sound.
While the subject matter here is more personal, it sticks to a palette of lush, guitar-based band arrangements and doesn't shed any sociopolitical awareness.
With classic rock ambition and full-hearted sincerity, the 27-year-old British songwriter hits his stride when looking inward but fumbles when casting his gaze toward society at large.
Sam Fender's sophomore album 'Seventeen Going Under' is a very solid helping of incredibly well produced Springsteen-inspired Heartland Rock that features very potent songwriting from both a personal and political perspective, and despite its inconsistencies the highs on this album are too outstanding not to notice.
I mean this would still be a strong 9 even if it was the 16 track album with the bonus tracks. Huge winner. I just absolutely love Sam fender and I can’t really pinpoint why. 2 albums down, not a single bad track. The personal nature of this album elevates it over hypersonic missiles for me, but I just already feel excited for what he’s got next.
Incredible underrated, just finished listening to it and it feels like something that were made exclusively to me, lyricism is perfect and his voice is stonishing, if I could superimpose my 2021's aoty album I'd pick this perfection!
The album has a cool sound and vibe to it but sam fender fails to make it interesting in any way, very boring overall...
Sam Fender's sophomore album sees generally improves from his debut, from the production being better and cleaner, Sam Fender's songwriting skills have improved to create not only catchy songs but one with potent lyrics and themes and a more consisten tracklist for a very strong heartland rock album which may be reminiscent of other artist but it is a welcome one
Track Review
Seventeen Going Under 9.5/10
Getting Started 8/10
Aye 8.5/10.
Get You Down 8.5/10.
Long Way Off 8/10
Spit Of You ... read more
1 | Seventeen Going Under 4:57 | 91 |
2 | Getting Started 3:09 | 82 |
3 | Aye 3:06 | 74 |
4 | Get You Down 4:23 | 84 |
5 | Long Way Off 3:49 | 83 |
6 | Spit Of You 4:33 | 83 |
7 | Last To Make It Home 5:21 | 80 |
8 | The Leveller 4:01 | 77 |
9 | Mantra 4:16 | 78 |
10 | Paradigms 3:45 | 76 |
11 | The Dying Light 3:57 | 84 |
#1 | / | NME |
#3 | / | PopMatters |
#5 | / | Dork |
#7 | / | musicOMH |
#9 | / | The Independent |
#11 | / | Gigwise |
#11 | / | The Guardian |
#15 | / | DIY |
#17 | / | Far Out Magazine |
#17 | / | The Sunday Times |