Certainly their best record since 2001's Standards, here Tortoise sound revitalised - concise, playful and sharp. They may move slowly, but when they do, it is always with renewed purpose.
The Catastrophist is another shining example of the band’s ability to forge multitudes of different sounds into something new – something singular, that can really only be described as, well, sounding like Tortoise. Rarely do a band’s individual elements work so perfectly together.
While large sections of ‘The Catastrophist’ deliver what Tortoise albums are supposed to – dense, polyrhythmic experiments into texture, timbre and dynamics played with an addictive, virtuoso level of restraint – there are also hints the band are as investigatively restless and playful as ever.
Although still more cerebral pleasure than triumphalist pop breakthrough, this uniquely accessible record is a subtle delight.
The Catastrophist feels like a microcosm of the band's body of work; even though they don't repeat themselves, it all comes together in some of their most immediate music to date.
The Catastrophist is not the over-confident reinvention or the rote revision of outmoded past albums that one might expect after a band’s seven year recording hiatus; it’s simply the next Tortoise record, and a rather good one at that.
Tortoise manage that weirdness, that jazz infused strangeness, and that downright groove that they’ve always traded in, but re-mould it for 2016.
The twists and turns can be compelling, but they make The Catastrophist feel somewhat lopsided, with scattered ideas too disparate to congeal as a cohesive listen.
The enjoyability of The Catastrophist is in this leap of faith, the idea that no mold is beautiful enough to remain unbroken, even if its new shape may be foreign and strange. In this case, the risk pays off.
Each of Tortoise’s meticulous albums has advanced the conversation of modern indie rock, and The Catastrophist, while not their best or most consistent record, again refuses to take the easy way out.
The Catastrophist makes for a befuddling, though quite enjoyable, listen.
Too often, The Catastrophist leaves its themes in the lurch, spinning its wheels when it should be charging forward.
The Catastrophist is an odd record — an album that was probably more interesting to perform than to listen to.
Tortoise are so self-conscious about both the material and their own methods that they can’t help but sound self-unconscious on The Catastophist.
Yeah, it's alright. It may be an improvement over Beacons of Ancestorship, but The Catastrophist just left me empty and wishing it had more meat on the bone.
Favourite songs:
The Catastrophist
Shake Hands With Danger
The Clearing Fills
Gesceap
Hot Coffee
Tesseract
Late era Tortoise try not to sound like Trans Am challenge (impossible).
The Catastrophist isn't as driving as their last album and full of energy and feels like what they've done already a bunch of times but with their newer sound which sounds like Trans Am at points a lot and Battles too. It has grown on me however and has some great moments even if the vocal tracks are just not good.
I understand Tortoise vibe is minimalistic and kinda ambient but that doesn't mean that it has to be boring and unidimensional. At first, The Catastrophist seems promising, however after 4 tracks you notice the whole album is going to be a pain in the ass. Some songs like "Shake Hands with Danger" and "The Clearing Fills" have little to no difference, others like "Ox Duke" and "Hot Coffee" are just this loop that ends up giving you a headache. In the end, ... read more
1 | The Catastrophist 3:52 | |
2 | Ox Duke 4:49 | |
3 | Rock On 3:12 feat. Todd Rittmann | 12 |
4 | Gopher Island 1:13 | |
5 | Shake Hands With Danger 4:10 | |
6 | The Clearing Fills 4:22 | |
7 | Gesceap 7:37 | |
8 | Hot Coffee 3:53 | |
9 | Yonder Blue 3:18 feat. Georgia Hubley | |
10 | Tesseract 3:54 | |
11 | At Odds with Logic 3:15 |