If United Crushers isn’t exactly optimistic, its vitality suggests that feeling friendless, cast aside, or trapped on your sucky street corner need not ruin your weekend.
Channy Leaneagh’s vocals are no longer distorted as default, and heard alone, they sound slightly as if delivered while fighting back tears. It all adds up to a record that bristles with mournfulness and melodious joy. Older, wiser, but far from jaded.
There's beauty to be found here, and as ever a longing that love can help ease all, if not at least make you forget your woes for a while. It's a screwed up world, but Poliça are taking it head-on and with a spring in their step.
United Crushers is driven by the seemingly contradictory desires to bring things together and break them apart, but Poliça bring them into harmony with a gloves-off fearlessness, resulting in their most impassioned and immediate music yet.
If this really is Poliça’s “final paper” (as Leaneagh’s called it), then they’ve excelled themselves with the most intimate and empowering album of their career.
‘United Crushers’ is here to debunk the notion that Poliça are doomed by their own experience with the simplest of tools – better songs.
Poliça's bold new record serves as a clarion call to all of us who are fighting bravely for the cause, be it art, love, or rebellion.
It is ... an album of two halves; while filled with experimental tendencies, it comes plagued with dreaded topics, issues of politics, and sees the four-piece create something impressible to ignore.
Despite its heavy subject matter, this record sparkles and whirrs in a way that is very easy to fall in love with.
In combination with the lyrics and a relentless feeling of despair, United Crushers can come across as a draining listen, perhaps even an uncomfortable one to those accustomed to their earlier work. It takes a few listens to discern the resolve in Leaneagh’s lyrics, but it’s there: kernels of hope in a sea of shit.
For an album so drenched in sadness, there is a disco for the downhearted lurking beneath its surface.
It may not be as immediate as some of their earlier material, but it was a necessary endeavour for a band trying to make sense of the maelstrom of the modern world.
Poliça’s third album is perhaps more spiritually linked to the essence of Leaneagh’s fluid and sometimes delicate voice, radiating outward from her talents rather than closing in on them.
This is awkward, sharp elbowed music that requires time and effort to fully appreciate, yet the complex textures and image-laden, thought provoking lyrics will gradually reveal themselves to those prepared to be patient.
United Crushers is equally political, but too exhausted to exactly work as a protest album so much as an album for when all the protest's been sapped out.
For once, the darkness of Poliça’s shadows are too muddled to make the climb through them worthwhile.
It's beautifully crafted, but this is not the Poliça album to cement their appeal at a level outside of the devoted hardcore.
I am a small fan of Polica.
This release was a little underwhelming.
I would remove Melting Block, and Fish on the Griddle. These songs didn't do anything for me.
Positives- the vocals are such a highlight.
There are amazing songs on here, but this release is not very consistent.
I would purchase this one, but not too excited to spin it again
Summer Please [95]
Lime Habit [99]
Someway [100]
Wedding [98]
Melting Block [98]
Top Coat [102]
Lately [93] (-)
Fish [99]
Berlin [101]
Baby Sucks [100]
Kind [104]
Lose You [97]
Top 5:
5. Baby Sucks
4. Someway
3. Berlin
2. Top Coat
1. Kind
Cuando la banda de Minneapolis, Poliça surgió por primera vez en 2012, su esencia se guiaba por la electrónica sensual y fantasmal. Y mientras que su segundo disco sonaba ligeramente más brillante, su producción era todavía claramente inquietante. Sin embargo, en “United Crushers” parece que han tratado de madurar.
Leer más: http://bit.ly/1nkyPPV
1 | Summer Please 3:55 | |
2 | Lime Habit 3:34 | |
3 | Someway 3:30 | |
4 | Wedding 3:26 | |
5 | Melting Block 2:58 | |
6 | Top Coat 3:56 | |
7 | Lately 3:09 | |
8 | Fish on the Griddle 3:11 | |
9 | Berlin 3:48 | |
10 | Baby Sucks 3:08 | |
11 | Kind 4:45 | |
12 | Lose You 3:41 |
#36 | / | Fopp |
#37 | / | Loud and Quiet |
#87 | / | Piccadilly Records |
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