Listening to Warm Chris is a genuinely interesting, absorbing and sometimes unsettling experience. It’s another remarkable puzzle piece in Aldous Harding’s career, offered to us without pretense or expectation or fanfare.
This album drips with drama, humor, and naturalness, making Warm Chris a sincere take on life.
Warm Chris is a marvel to behold and a joy to listen to in spite of it being shot through with tell-tale signs of brokenness and burst bubbles.
This could well be her masterpiece.
If, for some, Harding’s modus operandi might sound a bit like a deep dive into the dress-up box, and perhaps a tad inauthentic, then her sheer, method actor-like intensity snuffs out that argument, along with the revealing glimpses of raw emotion.
Listening to the defiantly peculiar Warm Chris, it’s not easy to imagine how much more untethered the artist born Hannah Topp can get.
Warm Chris is neither refined nor contained: it wanders and wonders, affirming the sheer joy of curiosity.
Aldous Harding's many voices and personas are in full effect on Warm Chris, but what she says isn’t as important as how she wants you to feel.
Like its three predecessors, Warm Chris blazes its own trail, and following along can sometimes feel like grasping at the last vestiges of a late morning dream. It's both compelling and confounding, like Harding herself.
There can be little doubt that the ever-shifting nature of Harding’s work should be applauded. Her work, as a result, is always interesting, yet intrigue alone is not often enough to sustain a listener’s focus over the 10 tracks here.
Although there’s much to love in Warm Chris’s more full-throated moments, and it’s those which will doubtless continue to bring her the success she so richly deserves, it’s hard not to occasionally pine for the transcendental sparseness of her earlier work.
Despite some successes, including song-of-the-year contender “Leathery Whip”, Warm Chris mostly shows the gifted Aldous Harding trying to navigate a troublesome limbo.
Quirky voices interchange with somber ones on Warm Chris as Aldous Harding seems to choose musical phrases on the spot, and hesitant piano and guitar lines follow suit, resulting in an album that sounds equally alluring and unfinished.
I prefer this to 2019's 'Designer' to be honest even if none of the individual tracks rival 'The Barrel' as her best song. The folk instrumentation across the whole album is just a lot more varied and colourful with flourishes of piano, acoustic and electric guitar and brass/woodwind (I can't really tell). Meanwhile, stripped back tracks (namely the title track and 'Bubbles') don't really do much for me. Nevertheless, Harding's vocal melodies are always intriguing.
Favourite Tracks: Ennui, ... read more
Aldous stretches her contortions more than ever before, calling to mind several musical luminaries. All the uptempo tunes (the two singles, Ennui, Tick Tock, Passion Babe, Staring at the Henry Moore and Leathery Whip) are filled with variety, and obvious winners in my book. Three more sparse tracks remain, with the arresting style of the title track completely captivating me. Bubbles straight up sounds like vashti bunyan, and She’ll Be Coming Around the Mountain almost sounds like a ... read more
you know it was always going to be 100 for me. one songwriter, ten songs, ten different vocalists all in one person. even though I desperately wanted "She'll Be Coming Round the Mountain" to be THE "She'll Be Coming Round the Mountain", I'm not even mad. this is meant to be a more intimate and interior album than Designer, but it's still expansive and trippy. except for the sophisti-pop guitars of "Staring at the Henry More" this is predominatly piano-driven. it ... read more
Harding's direction on this album stands out when compared to Designer, it's stripped down and more mysterious. The lyrics pack a larger nuance and there are so many great tracks on this record.
Favorite Tracks: Ennui, Lawn
1 | Ennui 4:38 | 78 |
2 | Tick Tock 3:39 | 81 |
3 | Fever 4:17 | 82 |
4 | Warm Chris 3:46 | 79 |
5 | Lawn 3:37 | 86 |
6 | Passion Babe 3:33 | 78 |
7 | She'll Be Coming Round the Mountain 4:28 | 79 |
8 | Staring at the Henry Moore 3:19 | 77 |
9 | Bubbles 3:55 | 74 |
10 | Leathery Whip 4:00 | 79 |
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