The Car is truly Arctic Monkeys’ masterpiece – they incorporate so many musical themes from across their career with aplomb, culminating in a simply wonderful record.
On The Car, the band are pushing their own boundaries, continuing to defy expectations, and have created an album that deserves to be listened to as one piece, cinematic in theme and scope.
With The Car as their preferred vehicle of choice, Alex Turner and co’s next journey is one of heartbreak and reflection, with a soothing undertone and the occasional foray into disco-era David Bowie for good measure.
On The Car, Alex Turner and co. embrace big string arrangements, but harken back to the disco depression that made 2013's AM an instant classic.
Grandiose strings and exuberant irresistible vocals in The Car show Arctic Monkeys more comfortable than ever in their lounge-laden musical attire.
The Car flickers between solemn nostalgia but also having a blast – a journey which can be unsettling but fun and surprising in a way that you wouldn’t expect.
This is a more soulful, less arch record than Tranquility Base. Not quite as detached from Monkeys past as it first appears, either.
Some experiments just don't work, in the case of the limp funk snoozer "Jet Skis on the Moat" or underwhelming closer "Perfect Sense", but The Car is crackling with a wickedly fun energy underneath the surface of its mid-tempo mugging, if you're willing to take the commute and meet it halfway.
The Car is a beautiful calling card for this opulent new version of Arctic Monkeys, even if it lacks the immediacy the band built its reputation on.
If The Car is any automobile in particular, it’s a Ferrari or Lamborghini; you might watch it pass for a moment, admiring its sleek curves, shimmering façade and purring engine, but you won’t care much about the driver – and once it’s out of view, it probably won’t be long before it fades from memory.
Unlike Tranquility Base, where those very different songs were all strung together on one clear themed thread that the band were in space or whatever, The Car lacks that. We’re left with nothing to grip onto.
The Car is a slick mover, immaculately appointed and often beautiful. What it’s driving at, though, can feel naggingly elusive.
This dude just made the same exact song 10 times in a row, with him wanking himself off with no structure or care, and I am supposed to just accept this as some innovative masterpiece? This is so dull. "The Car" is such a stupid concept, and the final product is orchestral sludge. It feels joyless to make it through this entire project
The production is great, but the content is so dull, and Alex Turner is so bad.
EDIT (100 to 95): I love this album, it's still on my top 3 of the year, but, I've barely even returned to this record since it came out. I also think TBH&C is just far superior to this. Still, amazing record and extremely overhated.
Double Down
Arctic Monkeys come back 4 years after their misunderstood masterpiece "Tranquility Base Hotel & Casino", doubling down on the sound presented on that record, giving it a brand new perspective.
So, I love Arctic Monkeys. I mean, out ... read more
They’re finally fucking back, and the album is beautifully made.
It’s also boring now
It definitely took a big push for me to listen to The Car, I usually find myself cringing at the idea of listening to an Arctic Monkeys song - let alone an album - and was dreading having to sit through 37 minutes of some English geezer, bitch and moan about something or someone, I mean really, it takes a lot of will power and patience for me to actually put aside 40 minutes of my time just to listen to them. However, I honestly really enjoyed this album and am glad I gave it chance. Fair ... read more
solowy projekt alexa turnera, tekstowo fajna ale strasznie monotoniczna plyta, nie czuc ducha zespolu
Major downgrade. A Dissapointment.
Decent tracks: There'd Better Be A Mirrorball, Sculptures, of Anything Goes, Body Paint
Worst tracks: almost every songs in this album are unlistenable
Overall Arctic Monkeys is OVER-FUCKING-RATED
1 | There’d Better Be A Mirrorball 4:25 | 84 |
2 | I Ain’t Quite Where I Think I Am 3:11 | 73 |
3 | Sculptures Of Anything Goes 3:59 | 77 |
4 | Jet Skis On The Moat 3:17 | 65 |
5 | Body Paint 4:50 | 82 |
6 | The Car 3:18 | 69 |
7 | Big Ideas 3:57 | 73 |
8 | Hello You 4:04 | 73 |
9 | Mr Schwartz 3:30 | 66 |
10 | Perfect Sense 2:47 | 70 |
#1 | / | NME |
#1 | / | Time Out |
#2 | / | RIOT |
#4 | / | Far Out Magazine |
#5 | / | DIY |
#5 | / | MOJO |
#5 | / | The Observer: Kitty Empire |
#5 | / | The Sunday Times |
#6 | / | OOR |
#6 | / | The Guardian |
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