Dry Cleaning - Stumpwork
Critic Score
Based on 27 reviews
2022 Ratings: #62 / 807
Year End Rank: #34
User Score
Based on 671 ratings
2022 Ratings: #628
Liked by 75 people
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CRITIC REVIEWS

100
musicOMH

The south Londoners’ wonderfully enigmatic follow-up to New Long Leg feels more collage than essay, the poetic cheek by jowl with the preposterous.

100
The Irish Times
Quartet reunite with John Parish at Rockfield Studios for this new collection of songs showcasing their playful, disarming potency.
100
NME
The London band's second album is a bold leap forward, one that sets the band apart from their contemporaries and defies categorisation.
90
AllMusic

Hearing Dry Cleaning's words and music travel in different ways to the same destination remains fascinating, and the ways they open up their music on Stumpwork with warmth, sensuality, and humor reveal their originality even more fully.

90
Louder Than War

“Nothing works. Everything’s expensive. Things are shit. But they’re going to be OK.” No, it’s not our new Prime Minister’s address to the nation (though it could be). It’s Florence Shaw on Dry Cleaning’s brilliant second album Stumpwork.

90
The Line of Best Fit

With Stumpwork, the joys are much more immediate, and the variety of ideas and rhythms and tempos and textures really makes a powerful impression from the first listen.

90
Uncut

If the music and lyrics are both impressive, though, it's the interaction between them that makes Stumpwork such a triumph.

88
Northern Transmissions

Dry Cleaning is friends to the strange. They make rock n roll that is weird, cool, and clever, powered by singer Florence Shaw’s snarky vocals. Their latest effort, Stumpwork, cleans this sound to a shiny finish.

85
Under the Radar

Dry Cleaning may not get mentioned in the same breath as other young London art-rock groups like black midi or Squid, but they should. Stumpwork proves that this band’s style has legs.

84
Beats Per Minute

The trick with this kind of balancing act is to illustrate and even evoke boredom without actually becoming boring. In the case of Stumpwork, Dry Cleaning consistently pull off this complex task.

83
Paste
The London-based band's follow-up to last year's New Long Leg both doubles down on and refocuses their approach.
80
PopMatters

Dry Cleaning follow last year’s breakthrough debut with Stumpwork‘s indie-flavored post-punk woven together via Florence Shaw’s dispassionate musings.

80
Record Collector

Yes, Stumpwork is New Long Leg part two, but a gloriously developed, evolving one.

80
The Arts Desk
What stands out the most in all their tracks is the utter disregard for what anyone might think about what they're trying to say.
80
Dork
‘Stumpwork’ acts perfectly as a snapshot of continuing Dry Cleaning’s depth and complexity.
80
Spectrum Culture
The album’s power comes not in how bluntly it expresses itself, but in how those expressions feel tangible and real.
80
The Telegraph
This sprawling, tender lucid dream of an album morphs into various shapes: angular and jagged, lush and distorted, Twin Peaks-esque surrealism, wistful and surrendering.
80
Mojo
Initially, it's like trying to decipher a corrupted floppy disc or a torn diary fished from a skip, profundity, banality and hilarity all blurred together. Yet these songs magically hit nerve after nerve.
80
The Guardian

The follow-up to last year’s fine debut New Long Leg is more focused, with Florence Shaw’s low-key narration framed by powerful sounds.

80
Rolling Stone
The U.K. group could split up and do poetry and post-rock independently of one another, but somehow it works together.
80
The Skinny

Dry Cleaning surpass themselves with a gentler, broader sound on Stumpwork.

80
DIY
It’s unlikely to win over the naysayers, but, for those already enamoured with their kitchen sink Dadaism, ‘Stumpwork’ is yet more magic from Dry Cleaning.
78
Pitchfork
The London quartet moves beyond the sardonic post-punk of its debut, exploring new sounds and moods while Florence Shaw reveals hitherto unheard subtleties in her famously low-key delivery.
70
American Songwriter

Like the most resolute artists, with the provocative and relentless Stumpwork, they admirably move their boundaries further afield regardless of appealing to a bigger audience.

70
The Forty-Five
Dry Cleaning were a breath of fresh air for taking the mundanity of everyday life and eclectic YouTube comments as inspiration for their sound, and now they appear to be rolling with the breeze.
40
The Independent
Any moments of flourish are rendered dreary by Florence Shaw’s one-note meanderings about gaming mouses, brain parasites and Arctic expeditions she isn’t on.
Jesusddiaz
85

fav spoken word album with pubes on cover of the year so far

jewelbreak
69

The production here is insanely good but i would enjoy this way better if Florence Shaw didn’t sound like the Google Translate woman on most of the tracks.

SnowyFighter
67

God.. that album cover is so uncomfortable lol

This is the one post punk band that I just don’t really get. I still think that overall this is a good album, but idk if I’d really come back to it. It’s a slight improvement from their last one because the instrumentation is a little bit more diverse. The vocals are interesting but sometimes they can get a little too one note. I was hoping they’d explore more territory vocally but idk it didn’t really feel like they ... read more

NR

I really enjoy this album it reflects the equal mundanity and excitement of bri'ish life

fav songs are hot penny day, dont press me and my absolute fav kwenchy kups

things are shit but they're gonna be okay, i'm gonna see the water caterpillar

blackholefriend
81

didn’t rly expect to like this as much as i did, but damn this was nice. weirdly cozy, but cold. the slow guitars may have dragged on for a little, but that worked really well will the softer, monotone vocals.

seanmaguire555
70

The spoken word gets a bit grading but it works well enough in this minimalist post punk style.

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Added on: June 14, 2022