Michael Kiwanuka - Love & Hate
Critic Score
Based on 18 reviews
2016 Ratings: #35 / 758
Year End Rank: #40
User Score
Based on 205 ratings
2016 Ratings: #50
July 15, 2016 / Release Date
LP / Format
Polydor / Label
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CRITIC REVIEWS

100
A.V. Club
Both reflective and observational, he lays himself bare and vulnerable while turning a sharp lens onto society and managing to avoid predictable moralization.
90
The Line of Best Fit

As both a candid portrait of introspection and an exciting step forward with his musical talent, Michael Kiwanuka's Love and Hate beautifully captures the artistic power of vulnerability.

90
American Songwriter

It’s intimate and sprawling, personal and universal, affectionate and daring. It’s also not background music. Sit down in front of your largest speakers, turn up the volume, push play, close your eyes and let Michael Kiwanuka’s Love & Hate envelope your senses while taking you on a journey to the sonic expanses of your mind.

90
Clash
There are nods to the early ‘70s work of Curtis Mayfield and Isaac Hayes in these arrangements, comparisons that these songs are bold enough to withstand.
90
Exclaim!

It admittedly spends a lot of time in a downer mode — a more light-amidst-the-dark feel would feel nice — but this sophomore effort remains affecting and affirming in its own quiet way.

83
Entertainment Weekly
British singer Michael Kiwanuka did more than just broaden his sound on his second album. He created a whole new musical hybrid: Spaghetti Western Soul.
80
musicOMH
Kiwanuka has made a fine record that will likely be enjoyed by those who currently find satisfaction in artists like Kendrick Lamar and Kamasi Washington.
80
NME
While Adele, Ellie Goulding and Sam Smith have gone on to be bigger than the Brexit backlash, Kiwanuka has avoided becoming a household name. ‘Love & Hate’ could change all that.
80
The Guardian

Unlike his own debut, Love & Hate never feels like an album screwing its eyes shut and trying to make believe that it’s 1971. The retro affectations are bound up with stuff that sounds very modern.

80
AllMusic
With this release, Kiwanuka has delivered a dark, graceful, and affecting artistic statement that is worth the patience it takes to experience it.
80
DIY
This is a landmark album for a previously forgotten musician, an incredibly neat and satisfying collection of songs.
80
Mojo

Kiwanuka’s talent reasserts itself on a broader canvas through 10 compelling compositions that chart the life and thoughts of a young man growing up fast and in public, all expressed in ways anyone can empathise with.

70
Slant Magazine
The resulting sound is prog soul with messages of incredible urgency at its heart, rendered by Kiwanuka and his band with emotion and grandeur. It makes for a weighty and dead-serious album, but it also mistakes the mere mention of exhaustive themes (abandonment, exclusion, regret) for an exploration of them.
69
Pitchfork

Singer Michael Kiwanuka’s new album is a sprawling soul opus full of longing and self-assessment.  It's a bittersweet offering, growing more melancholy as it plays.

braztom
89
Willing to admit that I had never heard of this guy before. What a brilliant surprise this album was. It's a great fusion of classic soul with modern influences.
zaxapitsa
64
Típico álbum que se lo lleva crudo en el UK y luego no se acuerda ni el tato.
MacPhisto
82
Lo que propone Kiwanuka con este álbum es un verdadero ejercicio de estilo. Aunque si que es verdad que las letras pueden resultar algo simples y, algunas, recurran a tópicos ya quemados en la música actual, la fusión que consigue entre "classic soul" y modernidad es fantástica.
Doofy
73
Straightforward torch song big soul numbers with some guitar licks thrown in for good measure.
Hypnoglitz
75
Starts out on fire and never reaches the same height again. Nonetheless, still quality music.
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Track List

  1. Cold Little Heart
  2. Black Man in a White World
  3. Falling
  4. Place I Belong
  5. Love & Hate
  6. One More Night
  7. I'll Never Love
  8. Rule the World
  9. Father's Child
  10. The Final Frame
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Added on: April 1, 2016