Far more deserving of appreciation than it has received in some quarters, though this album has been dismissed as being a Paul Westerberg solo project, which it indeed did start out as, it still features the other band members, aside from Chris Mars who had already walked away, and stands as the band’s sign-off. True, the quality of the tracks is inconsistent, but Scott Litt’s production throughout makes this more than a worthwhile listen. Critics lambast the change in style, but ... read more
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