Ultimately, whether you like Bankrupt! will, I suspect, depend on whether you prefer your pop music to be 'properly' structured, contained with a nice tidy bow and playing by the rules, or trying to see where the rules can be broken and thus constantly on the verge of an utter shambles.
They’ve taken what made Wolfgang Amadeus Phoenix so brilliant, turned it up to 10, and then added a few new twists to create one of the most effortlessly enjoyable albums you’re likely to hear all year.
Bankrupt!, the follow up to 2009's Wolfgang Amadeus Phoenix, will sound familiar to the band's fans from the off, but also represents the first significant aesthetic shift in their oeuvre.
It showcases an even more inventive and ambitious band, and Phoenix could well be about to establish themselves as the poster boys of forward-thinking synth-pop.
Delve deeper and this is an album reveals itself as a gem; one which mixes their crowd-pleasing hooks with an inventive shift in their sound.
Bankrupt! lets them celebrate with a victory lap that's enjoyable for all concerned.
The resulting album blurs the lines between simple and sophisticated more effectively than Phoenix ever have before.
The album rarely deviates from Wolfgang Amadeus Phoenix’s winning formula; befitting the band’s ascendant status, everything’s just that much more shiny, jacked-up, and frantic.
Bankrupt! doesn’t inspire the covetousness of their early material, but rather it takes its natural place as an album to be consumed en masse by Phoenix’s hefty fan base.
With all the noise blasting at you, the charm is lost somewhere after the midpoint, and while the second side of the album isn’t bad, it’s notably less catchy and interesting.
Bankrupt! could end up the most anti-pop pop album of the year, which is exactly as confusing as the album sounds at times. But if the choice was between confusing or boring and safe, Phoenix made the right call.
They never lose sight of what makes a song pop in the ears, delivering an over-caffeinated, albeit logical, progression from their past efforts that actually suits them.
Phoenix are no '80s copycats, but they occupy a sweet spot where influences and their own flashy banks of synths and treated guitars sound meaty and perfect together.
Rather than brave new sounds, it feels like a purposeful denial of the things the group is best at.
There isn’t as much going on with Bankrupt! to rank it among the best albums by Phoenix, but it still works as a solid effort from a band getting used to being big. They’re just doing what they do.
Little is bad, but little is memorable or exciting or even interesting.
#21 | / | Amazon |
#22 | / | Rolling Stone |
#29 | / | Stereogum |
#41 | / | Under the Radar |
#47 | / | Uncut |
#39 | / | Pretty Much Amazing (First Half 2013) |