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CRITIC REVIEWS
90
This record is fun, it’s exuberant, and it’s diverse – and yet nothing sounds unnatural or feels crowbarred in.
80
The Strokes will never get back the raw magic of Is This It? but, with Comedown Machine, they’ve cast a different spell entirely – one that’s almost joyful.
80
They’ve played around, tested themselves – unburdened themselves of anyone’s expectations other than their own – and won.
80
The Strokes' most mature music yet, Comedown Machine is a solidly enjoyable album, even if it lacks some of the band's previous spark.
80
It’s flawed, it’s imperfect and it’s downright odd at points, but it is packed with belting tunes. Most of all, it’s fun – a great achievement considering it hasn’t looked like fun being in The Strokes for years.
75
While Comedown Machine sounds—and more importantly flows—like Angles, it finds some new charms.
75
Their best songs pack more riffs, eighth notes, energy, spunk, and humor into three minutes than most fit into a whole album. Comedown Machine doesn’t so much combine those factors as it does spread them out unevenly.
70
True to the album’s title, it’s comfortable and less persuasive. The risks feel warranted, even if it doesn’t result in something that’s sticky or punchy. This might explain why the album doesn’t carry a single hit.
68
As long as they keep stumbling into the same studio every few years, The Strokes will probably continue making albums like Comedown Machine: reliably solid, mostly enjoyable, slightly disappointing for reasons that are difficult to articulate.
62
While Comedown Machine drags itself through a number of dead zones (most notably the dud pair of the title track and “50 50”), there are moments where they recapture some of what made them a great band.
61
The limitations of Comedown Machine's protracted diversity all come back to Casablancas, a man with wide range as a listener and extremely narrow range as a musician.
60
As it is, Comedown Machine is an effort where successive listens and dissections of the songs ultimately reveal more meaning and comprehension. Good, not magnificent.
60
A scuffed-up but fine-tuned power-pop band that's never been less than the sum of its influences casts its net wider, or maybe just into different waters.
50
The Strokes continue to search for different sounds on this latest album of theirs, but it doesn't seem they're that picky about what the end product sounds like. The fact they sound "different" is what seems to take precedent.
40
If this is all they can muster, their future looks anything but bright, and the most damning indictment is that they sound bored by the effort.
40
Overall, it might not be fair for The Strokes to have to live under the shadow of their own previous successes. But when you know a band can be that good, it's frustrating to hear the same band put out an album this forgettable.
40
Just like the band itself, it presents something of an ongoing identity crisis for the band, one that hasn’t figured out how to advance their sound except to put more meat on the bones
Not the sound I want out of this band. I don't expect another "Is This It", but this doesn't even seem like they are trying anymore.
BAND BINGE: THE STROKES (PART 11EVEN OF 21ENTYONE)
This is apparently everyone lest favorite child.
Jesus Christ! Literally everyone thinks that this album is garbage. This album, as of writing (before putting a rating of my own), is sitting at a humble 66 user rating, and a 64 critic rating. My god, The Strokes making a 6/10 album, even after all this time? The Strokes have met criticism before with First Impressions of Earth, but this was something unprecedented. Yes, members of the band ... read more
This is apparently everyone lest favorite child.
Jesus Christ! Literally everyone thinks that this album is garbage. This album, as of writing (before putting a rating of my own), is sitting at a humble 66 user rating, and a 64 critic rating. My god, The Strokes making a 6/10 album, even after all this time? The Strokes have met criticism before with First Impressions of Earth, but this was something unprecedented. Yes, members of the band ... read more
This is essentially my same feelings about Angles but amplified. However, on this album there really aren't any songs that stand out as some of the groups best work and everything instead feels a little below par for what one would expect from the group. I think the spark of the group has simply largely left their sound from this point, and unfortunately it's hard to see a scenario in which that changes.
Favorite track: Welcome To Japan
Favorite track: Welcome To Japan
"Comedown Machine" feels like a Strokes record, it sounds like a Strokes record, but what's missing? It supplies us with a few great songs. "Tap Out" is one of their most danceable songs, "One Way Trigger" is a mellow cut with Julian supplying some cool, albeit rough, falsetto vocals and "Welcome to Japan" is groovy and lovably cheesy. The first few songs are some damn great Strokes songs, but the record takes a HUGE nosedive after that as the tracklist ... read more
pitchfork.com
Listen to the Strokes’ New Song “Bad Decisions” 
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Year End Lists
| #41 | / | NME |
| #47 | / | Q Magazine |
Track List
- Tap Out
- All the Time
- One Way Trigger
- Welcome to Japan
- 80's Comedown Machine
- 50/50
- Slow Animals
- Partners in Crime
- Chances
- Happy Ending
- Call It Fate, Call It Karma
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Added on: January 30, 2013