With a combined running time of over 33 minutes, Kuiper is nothing less than an odyssey of chiaroscuro, equal parts motorik horsepower and sublime bliss.
This is experimental music at its very finest, and rarest: unashamedly cerebral, but also unrelenting in its dedication to powerful dynamics and – crucial point, this – melodic hooks.
It’s a strong, welcome follow-up: potent melodies, expert performances, and a boundary-pushing experimental nature that is both an enjoyable listen and an even deeper dive into uncharted musical waters.
Following up Floating Points' widely acclaimed Elaenia was always going to be difficult, but Kuiper finds Sam Shepherd eschewing the typically episodic tendency of self-contained music releases.
Kuiper is a cohesive work that captures Shepherd exhibiting a full command of his prowess.
The full 30 minutes of Kuiper seems logical as a comfortable extension of, and compromise between, Shepherd's recent discography.
"Kuiper" will likely come as a surprise for anyone strictly familiar with the jazzy, understated solo artist Floating Points, but as a snapshot of his explosive live band, it's an appropriate spectacle.
His commitment to quality and easy lilting melodies help him stand out, but it’s a little disappointing that his polyglot taste as a DJ doesn’t rear its head more often in his recorded material. Still, Kuiper extends the graceful Elaenia, even mussing its well-kept hair on the title track.
While both tracks suffer from their length, there is still an underlying hint of Shepherd's innovative mastery. It's the failure of this to come to the fore that means the Kuiper EP is not the best demonstration of what it's creator is capable of.
Floating Points stakes out ambitious sonic territory, and it's important to remember that Kuiper is essentially a rest stop on a much more sophisticated, gratifying trajectory.
I am unsure of the context of this Kuiper EP, it may be B-sides to Elaenia or it may just be some extra bonus songs but regardless it is considered a Floating Points EP so I will be listening to it. I should also mention each of these tracks are over 14 minutes in length so if you don't like long songs then I wouldn't recommend this to you. Kuiper would have been a nice song if it was split into two individual songs, I feel like everything after the 10 minute mark is a completely different ... read more
Sham Shepherd does it again. For some years now, Floating Points has been one of the most consistent and downright intriguing electronic-music acts out there, and on his new album Kuiper, the producer proves (as if he needed to) that. This album contains only two lenghty pieces that display Shepherd's very interesting blend of organic and electronic elements, as we see him once again structuring his music not only with computer-sounds, but also organic instruments and a proeminent percussive ... read more
I don’t really see the point of this EP but I will admit that Kuiper is probably my favorite progressive track he has made so far but I will probably rarely listen to it in full because it’s length. And the second track on here is more atmospheric and pretty but it’s less interesting and gets repetitive very quickly. Overall this was fine but I won’t be listening to either of these tracks again most likely.
Track breakdown:
Kuiper: 8/10
For marmish Pt. 2: 6.5/10
While it doesn’t offer a world of its own & slightly relies on the context of Floating points’ discography, this is solid for what it is & through the slight compositional bloat rises some absolutely STUNNING crescendos.
| 1 | Kuiper 18:23 | |
| 2 | For Marmish Part II 14:04 |