These songs, painstakingly constructed using demanding equipment, succeed at creating a cohesive sense of paranoia, fear, and awe. And that, if nothing else, is worth obsessing over.
Bright spots are woven amidst more ruminative fare, providing a sense of narrative that's too often absent in full-lengths these days. Loaded with recurring motifs and studio trickery, Tomorrow's Harvest makes for an especially cryptic listen.
Tomorrow’s Harvest’s greatest strength is how it brings the classic Boards of Canada sound into the modern age and makes it feel totally fresh and alive again – a rare feat for almost any electronic artist.
It still sounds unmistakably like Boards of Canada, even if their telltale tropes are now scattered across Harvest rather than made to define each of its 17 tracks.
It sounds like an extremely well-produced album that took about eight years of slow studio cooking to produce.
Like a few moments on Tomorrow’s Harvest it’ll take many more listens to decode, but the bulk of the album is immediately dark and succulent, conjuring a beautiful air of malice.
It needs to be listened to in the right sort of atmosphere to reach its full effect, but Boards of Canada's return after seven long years and proved it was worth the wait.
Tomorrow’s Harvest finds the duo launching their sound into Lovecraftian orbit. And it sounds terrific;
What we’re left with is Boards of Canada’s moodiest record, a full-length tinted with atmosphere that unfolds slowly and is happy to allow you to come to it.
Simulating forward motion is indeed progress, but it would be great if they threaded in a few elements to signify that. Without concreteness they can only get so dark; it’s hard to have a nightmare about something you can’t visualize.
At times, it is a little overwhelming over the 17 tracks, but there are plenty of beautiful moments here, the sort of moments which continue to propel BOC well ahead of many of their IDM contemporaries.
While their latest transmission isn’t the easiest to receive, upon success, it can be the most rewarding piece of science fiction in years.
Far from daft, ‘Tomorrow’s Harvest’ is a psycho-spiritual stormer.
Boards of Canada have created a fascinating vision, one that will reveal more and more gifts over time.
Neither a huge leap forward nor a step back for the pair, it sounds decidedly humble for an album heralded with such fanfare; it’s as if they’re aware that when the dust settles, it’ll just be another BoC album – and another very good one at that.
The granular murk of earlier albums is gone, allowing the band’s brilliant melodies and intricately textured sounds to sparkle darkly.
There is nothing radically new here – just a slight overhauling of tone, a broadening of theme and a refinement of technique.
The hopeless mood takes priority over any purposeful sense of direction, making Tomorrow’s Harvest a shadowy wasteland where only the group’s devoted cult of diehards will care to spend much time.
It might not be a major leap forward for Boards of Canada, but when the music continues to be so obviously them, maybe Tomorrow's Harvest doesn't need to be.
After about eight years of silence, Boards of Canada return with Tomorrow's Harvest, which might be their saddest and most desolate record to date; directly emulating much of the progressive synth and soundtrack music that has always informed the duo's style.
Where the dog-eared, snapshot ambient wooze of Twoism and Geogaddi once harbored a feverish throb, Tomorrow’s Harvest now prickles with hollow spaces: a fragmentary, pixelated symbolism has been lost in the construction of an outline of a broader system.
★★★½
This is a really good album to study to; it’s not too present but isn’t too subtle either. On top of this, many of the songs on here, despite being in a similar style, showcase surprising variety, which makes for a compelling musical odyssey.
I had this a 79 before, but I was bit cold on it because I guess this wasn't like Geogaddi. It is more repetitive and less energetic than most of their other records, but it is still a good record regardless.
I actually stepped away from this record initially and came back mid-pandemic. If you haven't returned to it since that all started i highly suggest it. The album feels, in the way that only BOC can, oddly comforting when surrounded by a slowmotion apocalypse. I will admit to also being on the side of Not Feeling it as much as their previous works, but from where i stand now, it's one of their 3 perfect albums, and yes, it's hit perfect. While MHTRTC will likely remain their greatest album, and ... read more
FAVOURITE TRACKS: Gemini, Reach For The Dead, Cold Earth, Transmisiones Ferox, Sick Times, Nothing Is Real, Come to Dust, Semena Mertvykh
LEAST FAVOURITE TRACK: Palace Posy
I had this a 79 before, but I was bit cold on it because I guess this wasn't like Geogaddi. It is more repetitive and less energetic than most of their other records, but it is still a good record regardless.
1 | Gemini 2:56 | 86 |
2 | Reach For The Dead 4:47 | 92 |
3 | White Cyclosa 3:13 | 82 |
4 | Jacquard Causeway 6:35 | 84 |
5 | Telepath 1:32 | 79 |
6 | Cold Earth 3:42 | 84 |
7 | Transmisiones Ferox 2:18 | 82 |
8 | Sick Times 4:16 | 85 |
9 | Collapse 2:49 | 85 |
10 | Palace Posy 4:05 | 81 |
11 | Split Your Infinities 4:28 | 82 |
12 | Uritual 1:59 | 83 |
13 | Nothing Is Real 3:52 | 91 |
14 | Sundown 2:16 | 93 |
15 | New Seeds 5:39 | 90 |
16 | Come To Dust 4:07 | 94 |
17 | Semena Mertvykh 3:30 | 81 |
#3 | / | Obscure Sound |
#5 | / | Bleep |
#6 | / | Clash |
#7 | / | Spin |
#9 | / | XLR8R |
#10 | / | Uncut |
#12 | / | Resident Advisor |
#22 | / | Drowned in Sound |
#23 | / | No Ripcord |
#23 | / | The Wire |