On Fin, what Syd seems to want to portray most of all is an admirable, inspirational confidence, a young woman singing and rapping while totally at ease with the beats that please her most.
Syd is many wonderful things on solo debut Fin - singer, producer, all-around seductress—but most importantly, she is human, and her album is filled with all that entails.
In short, Fin is a mature, if slightly restrained debut. Unfortunately, there’s not quite enough here to get a true sense of where Syd’s long-term artistic vision will take her. Nonetheless, what Fin does, it does incredibly well - and with confidence.
Fin is a record of intimacy and confidence, a rare and sumptuous combination that Syd has pulled off quite remarkably.
Fin is a breakout party for a Syd, who seems grateful for those who have been supportive but has a keen eye on taking things to the next level.
As hinted at by the record sleeve’s oceanic shadows, Fin has depths that only become more apparent the longer you spend engulfed in them.
Fin is short and sweet. And over the course of its 37 minutes, the music blankets you in a comforting haze for enough time to keep your senses stimulated.
Syd operates in her own, self-constructed sphere. Her vulnerability is acutely present, but it lies on her own terms. She breaks when she wants to, not when we expect her to, and it's this resonant sense of calculated, defiant intimacy that raises 'Fin' to eclectic new heights.
Fin confidently reinvents a music made for bumping and grooving with a lyrical prowess that burns slowly,
Fin is packed with confidence without a hint of overcompensation: elegant, expressive, and coolly defiant.
While pushing her own artistry to the forefront, Syd retains the non-flashy vocal style she showcased expertly on the Internet’s Grammy-nominated Ego Death release from 2015.
She comes into her own on her debut, Fin, a resounding end to adolescence and an inquisitive consideration of maturity.
Syd hasn’t quite molded herself as a pop luminary, but the self-determined themes on Fin do portray an independent woman who’s fueled by the power of love.
Holy shit I did not expect to love this as much as I did. Syd's voice fits soooo well over these dark, dreamy trap beats. I prefer this over her stuff with The Internet for sure, but that is mainly down to personal taste.
Best Songs: Shake Em Off, Know, No Complaints, All About Me, Body, Over
Worst Songs: Drown In It
Ok yeah, this is somewhere between some solid Trap Soul material and some pretty boring stuff, I would say it starts a lot better than it ends. Is there anything really special about this album that makes it unique, not really to me, but that dosen´t means that It´s totally unenjoyable. Decent, even though I wouldn´t really reccomend it tbh
A very enjoyable album, brilliant in many ways. Without wasting any time, we immediately hear Syd's beautiful voice, the backing vocals, and the beats are absolutely diverse and good. One of the best albums for late-night listening. The vibe of this project is incredible. Different flows often flow seamlessly into each other. With each listen, this album grows on me more and more. It's a pity that I overlooked this project in my head.
Syd - Fin (2017)
her production on this album is JAW DROPPING and then her VOICE TOO????????????? top 5 lesbians, i love you syd
Favorite Song: No Complaints or Got Her Own
Least Favorite: Over (feat. 6LACK)
| 1 | Shake 'Em Off 2:59 | 71 |
| 2 | Know 3:34 | 85 |
| 3 | No Complaints 1:13 | 77 |
| 4 | Nothin to Somethin 3:29 | 74 |
| 5 | All About Me 3:31 | 74 |
| 6 | Smile More 4:01 | 70 |
| 7 | Got Her Own 3:05 | 72 |
| 8 | Drown in It 1:10 | 62 |
| 9 | Body 4:22 | 77 |
| 10 | Dollar Bills 3:07 feat. Steve Lacy | 77 |
| 11 | Over 3:10 feat. 6LACK | 69 |
| 12 | Insecurities 3:25 | 76 |
| #4 | / | Thrillist |
| #8 | / | The Independent |
| #10 | / | BET |
| #11 | / | Complex |
| #15 | / | Okayplayer |
| #18 | / | Pigeons & Planes |
| #19 | / | The 405 |
| #19 | / | The Line of Best Fit |
| #24 | / | Highsnobiety |
| #26 | / | Noisey |
| #31 | / | Crack Magazine |