Nothing Was the Same
Drake - Nothing Was the Same
Critic Score
Based on 27 reviews
2013 Ratings: #195 / 942
Year End Rank: #31
User Score
Based on 391 ratings
2013 Ratings: #152
Your Review


Entertainment Weekly

Nothing Was the Same bristles with epiphanies, absurdities, and plenty of bluster, but it’s all fodder for a hyperrealistic portrait of Aubrey Drake Graham, not some coronation ceremony.

Consequence of Sound

Nothing Was the Same wrestles Drake’s successes with his ever-lingering insecurities, and like some of the best music, we can see ourselves in these songs. It’s an exhilarating change of pace for the genre.


As Drake albums go, this is the Drakiest: Except for Jay Z, who shows up at the end of the album, Nothing Was the Same is an entirely solo affair, and all of Drake's tendencies are dialed up.

The Line of Best Fit

Nothing Was the Same is a tougher, more grown up album than he’s made before and, if it never quite reaches the emotional depth of Take Care’s ‘Marvin’s Room’ or ‘Take Care’, it surpasses the previous album in consistency and unity of vision.


The change in soundscape is drastic and helps complete Drake’s transformation from consummate professional to broody enigma. Even on the party songs, he is suspicious of everyone and painfully susceptible to the corruptive nature of his adult playground.

A.V. Club

On his follow-up, Nothing Was The Same, Drake eases up on that machismo and distances himself even further from genre tropes to further mine the late-night vibe of Take Care’s softest stretches.


There’s also less fat in general: throughout the album’s lean, cohesive set of 13 tracks, Drake packs multiple emotions into individual songs instead of adding on extra items.

He makes up for the lack of addictive anthems and playfulness with his impressionable stream of sentiments -- our kryptonite, his superpower.
Pretty Much Amazing

Nothing Was the Same is filled with beats that are a joy to listen to and Drake often has worthwhile things to contribute. But, more and more, his confidence is getting the best of him. Sure, he sounds like a star. But I’d rather he sound a like a person. 


Drake's pop music con job is just too well executed despite all its obvious flaws to not be enjoyed.


A steely affair that finds Drake and longtime producer Noah "40" Shebib pulling their sound and worldview further inward to increasingly murky results.


Nothing Was the Same doesn't show large amounts of growth, but the small changes to the sound and the slightly wider net his lyrics cast make it worthwhile.

The 405

Nothing Was The Same is a moody record, like a bottomless pit of violent and vocal hormones during puberty. A little confusing, a little stand-offish in parts, but when an equilibrium is reached, virtually perfect.

Tiny Mix Tapes

While Nothing Was The Same won’t do anything to win over Drake’s detractors, doing pretty much nothing new for the rapper except bringing in more drill-style hi-hats and scaling back the obsession with 808s, dude is nothing if not reliable.


Nothing Was The Same is a challenging, uncompromised major label rap album with a handful of impeccable songs, weighed down slightly by the rapper's increasingly solipsistic viewpoint.


Drizzy’s candid lyrics about battered egos and insecure relationships were refreshing early on in his career, but the persona is wearing thin as he recalls how rich his melancholy has made him.

The Needle Drop

Here, Drake continues with his lyrical obsession with the tattered relationships of his past, which is fine, but he hops on a gauntlet of nutty trap beats on this LP that are less than flattering to his clean-cut persona.


A few spins in, listening to Nothing Was the Same is akin to putting up with Big Sean in order to get to Kendrick:  Drake is just tolerable, and it’s tempting to skip through him to get to the good parts, which are instrumental passages and guest spots. 

Dec 12, 2016
Almost as good as Take Care, this is Drake at his mature level, before he took a turn for the worst imo. Amazing album, great balance of Emotion.

Fav Tracks; Come Thru, Furthest Thing, Hold On, We're Going Home, Own it, Worst Behaviour.
Sep 4, 2016*
Some of Drake's best work, however this album is simply too long and there is a lot of filler in between the good stuff.

Best Songs: Worst Behavior, Tuscan Leather, Pound Cake/Paris Morton Music 2 (despite a really whack Jay-Z verse), Too Much, Started From the Bottom, Hold on We're Going Home

Worst Songs: Furthest Thing, Own It, Connect
Jul 28, 2016
this new production style is cloudy and the tracklist is nice and condensed but it can't quite top Take Care
Jun 5, 2016
Tuscan Leather: 75
Furthest Thing: 80
Started From the Bottom: 80
Wu-Tang Forever: 75
Own It: 100 [The Best]
Worst Behavior: 75
From Time: 95
Hold On, We're Going Home: 85
Connect: 75
The Language: 80
305 to My City: 85
Too Much: 95
Pound Cake/Paris Morton Music 2: 80

[Perfect Singles]
1- Own It
2- From Time
3- Too Much
Jan 17, 2016
If it wasn't for the track,"Started From The Bottom" this album would deserve no skips. Great Production throughout the entire album.
Purchasing Nothing Was the Same from Amazon helps support Album of the Year.
Track List
  1. Tuscan Leather
  2. Furthest Thing
  3. Started From the Bottom
  4. Wu-Tang Forever
  5. Own It
  6. Worst Behavior
  7. From Time
  8. Hold On, We're Going Home
  9. Connect
  10. The Language
  11. 305 to My City [ft. Detail]
  12. Too Much
  13. Pound Cake [ft. Jay-Z]/Paris Morton Music 2

Added on: June 22, 2013