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CRITIC REVIEWS
100
Converge may be slowing down in their output, but this is perhaps the band's best record since You Fail Me, keeping in mind the three albums in-between are not to be sniffed at.
95
To listen to an album as punishingly ferocious as this and come away with a stark impression of its emotional vulnerability is quite some feat on the part of the band.
90
The Dusk in Us continues to show the depth that Converge can hold below the abrasive sounds. They don’t create chunks of music to be instantly digested, they create art which is meant to take you prisoner in a darkness that will ultimately show you more than you ever realised.
90
If the album title seems like a premonition, the stuff coming out of the speakers conveys the emotional context and sonic evacuation Converge have built their legend upon. As they have grown as musicians, writers and humans (with all the baggage that contains), the band still maintain their status as leaders.
83
The Dusk In Us can’t match the apocalyptic power of a classic like 2001’s Jane Doe, but when Converge takes a victory lap, it still does it at a mad sprint.
82
As sharp, urgent, and exploratory as they’ve ever been, The Dusk in Us is quintessential Converge, given the grand new purpose of salvation.
80
An unerring sense of conflict courses through The Dusk In Us, and while that might sound like business as usual for a Converge record, it’s a testament to Bannon and his cohorts that they remain so compelling nine albums in.
80
While Converge have never since been able to replicate that shock of the new, they are remarkably consistent, with each new album finding surprising areas of extreme noise to explore. The Dusk in Us, the band’s first album in five years, continues that trend, offering some of Converge’s most punishing efforts yet.
80
Metalcore legends Converge return with their 9th installment of blisteringly detailed rage.
80
Nervy, brainy, bold, and uncompromising, The Dusk in Us doesn't deviate much from the Converge playbook, and why should it?
80
The Dusk in Us is another step forward for Converge, pushing their sound to new levels in a way that is uniquely their own. Although it took five years to come to fruition, the record was well worth the wait, and stands as a testament to why the band have become so hugely influential.
75
While Converge thankfully haven’t veered towards the pop metal of their erstwhile tourmates in Mastodon, their vital growth as a creative unit has nonetheless padded their cudgel.
70
The Dusk in Us is oddly paced, and any investment tends to feel intermittent. Their lacerating attacks feel self-inflicted and surgical, but don’t always scar as they should.
60
‘The Dusk in Us’ was whittled down to thirteen tracks from eighteen and there remains a little bit of extraneous material, particularly towards the album’s close, and that uneven pacing suggests a touch of rust after so long away - ‘All We Love We Leave Behind’ felt more tightly controlled.
If you asked me to introduce Converge to the uninitiated, particularly to someone unaccustomed to the more “extreme” end of the musical spectrum, I wouldn’t play them one of the band’s longer, softer tracks like ‘Farewell Note to this City’ or ‘Wretched World’. Whilst this would serve as a means of easing them into the band’s sonic maelstrom, these, and a dozen or so other tracks like them, are, of course, the exceptions to the dominant rule ... read more
This record is definitely more interesting than the last one, but it does have some weird issues. I do like that it feels gothic in here more than in other albums, which transitions nicely into Bloodmoon I. But, songs sound very identical this time around and are difficult to distinguish between.
2017 was a great year for music, especially metalcore. My favorite album of the entire genre was released in 2017 (Code Orange's Forever), and plenty of the genre's veterans put out great albums. Among the best of 'em was Converge's late-era masterpiece, The Dusk In Us, my second-favorite album the band has ever put out.
No major stylistic changes, Converge is yet again Converge, and yet again they display their ability to deliver intense and dissonant music. The album is good, just not as impressive as All We Love We Leave Behind where almost every song was gold. On this record there is some lack of memorability.
Best: A Single Tear, Under Duress, I Can Tell You About Pain, Thousands of Miles Between Us
Converge - The Dusk In Us (2017)
Released 5 years ago today.
A Single Tear - 82 ☆
Eye of the Quarrel - 77
Under Duress - 72
Arkhipov Calm - 70
I Can Tell You About Pain - 73
The Dusk In Us - 72
Wildlife - 74
Murk & Marrow - 74
Trigger - 71
Broken by Light - 81 ☆
Cannibals - 70
Thousands of Miles Between Us - 71
Reptilian - 71
EDIT (03/08/2022): estou ficando viciado nas músicas dessa banda puta que pariu, algo no som deles me intriga, tem um charme, uma vontade de consumir mais e mais da banda até não poder mais. é um som poderoso de certa forma único que eles produzem.
e vamos a mais uma review sobre a discografia do Converge! este álbum realmente brilha mto aos meus olhos de tão intenso e explosivo que ele é.
o álbum é de Metalcore e Mathcore, ... read more
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Track List
- A Single Tear
- Eye of the Quarrel
- Under Duress
- Arkhipov Calm
- I Can Tell You About Pain
- The Dusk in Us
- Wildlife
- Murk & Marrow
- Trigger
- Broken by Light
- Cannibals
- Thousands of Miles Between Us
- Reptilian
Year End Lists
| #5 | / | Kerrang |
| #5 | / | Revolver |
| #10 | / | Decibel |
| #22 | / | BLARE |
| #22 | / | The Alternative |
| #23 | / | State |
| #24 | / | Treble |
| #25 | / | BrooklynVegan |
| #30 | / | Stereogum |
| #32 | / | Digital Trends |
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Added on: August 15, 2017