A Brief Inquiry Into Online Relationships isn’t perfect. It isn’t the best album released this year, and it doesn’t have any of the best songs released this year on it. But what it does have is scope, vision and scale, together with power, texture and atmosphere.
A Brief Inquiry... feel not just hugely entertaining and moving, but necessary.
At last, their masterpiece. After two albums that threatened world domination and artistic reverence, A Brief Enquiry Into Online Relationships is the intellectual and musical zenith The 1975 always promised.
With A Brief Inquiry, The 1975 have released an album that rivals the brilliance of I Like It When You Sleep and builds on it, arguably replacing it as their crowning moment.
There's so much going on in this record, but it's far from a case of throwing everything against the wall and seeing what sticks. A Brief Inquiry Into Online Relationships is a considered, ambitious album from a band who are constantly pushing themselves.
A Brief Inquiry Into Online Relationships feels urgent and present in all of the places The 1975's previous projects felt reminiscent.
Contrary to their prior storytelling messages, A Brief Inquiry Into Online Relationships gives us frontman Matty Healy’s take on society’s biggest problems: politics and technology. Nevertheless, Healy continues to express his darkest moments.
Comparisons will be made to Radiohead’s OK Computer, another era-defining third album that examines the internet’s effects on our interpersonal lives. But A Brief Inquiry… actually resembles Kid A’s best two tracks, “How to Disappear Completely” and “Motion Picture Soundtrack” – music that wrenches magnificence from the barest bones of humanity. By interrogating the strategies we employ to keep on living in an impossible world, this astonishing album has become one.
A Brief Inquiry is a record of substance that manages to both poke fun at and be a product of its time. The 1975 might be white-boys with guitars, but they're so much more than that.
A Brief Inquiry Into Online Relationships is an album that confidently (maybe over-confidently at times) blends a plethora of musical genres to further exacerbate The 1975’s already unique style.
The 1975’s third album, A Brief Inquiry Into Online Relationships, finds a balance between joy and self-seriousness. It’s the quartet’s finest and most decadent album to date, showcasing how they can shimmy from the eerie sway of Radiohead–alternative rock to an upbeat horn-laden style of Chance the Rapper, then hop over to illustrious jazz lounge singing, all in an album’s swoop without losing their pointed, witty lyricism.
A Brief Inquiry Into Online Relationships is a pained reflection of troubling and lonely times but through expressing their own isolation, they may have switched on a light for many others.
A Brief Inquiry is not without its flaws but it’s never boring.
A Brief Inquiry Into Online Relationships is an album that reflects on the modern day issues of technology, drugs, politics and relationships with a beating millennial heart that is honest and hopeful for the future.
As much as everything about the record’s presentation suggests polish and clean lines, from the minimalist artwork to the consistent piano leitmotif to George Daniel’s production (shiny enough to see your face in), it’s the points at which A Brief Inquiry Into Online Relationships veers away from the preset aesthetic that feel the most profound.
Manchester pop outfit the 1975’s third album, A Brief Inquiry into Online Relationships, tackles anxiety, addiction, trauma, self-loathing, disillusionment, cynicism, and death. Dark subject matter, to be sure, but the music around it—a thrilling combination of sophisti-pop polish, post-punk attitude, and art-student swagger—is incandescent.
A Brief Inquiry is not the unqualified triumph the 1975 had in mind. It’s stronger and punchier than its predecessor, but has moments where the group overreach. You could argue it’s rather confused, but, as Healy would doubtless point out, it is meant to reflect the times we live in, and they’re pretty confusing.
On their third and best album, A Brief Inquiry into Online Relationships, The 1975 have created what so many post-Radiohead bands couldn’t: a coherent pop statement with enough hope, radical honesty and genre-spanning breadth to make sense across divided generations.
It’s an impressive album, even if it remains mostly in-bounds of what you’d expect. Great albums don’t need to define a generation or open doors to other worlds, they just need to make great music - and Inquiry does exactly that. It’s a batch of quality pop songs – nothing more, nothing less.
Multidimensional ... This rotating playlist of styles and sincerity will rankle with some--it's very earnest about addiction, love and our internet selves--but rather that than banal conformity.
The 1975 have been working their way towards this moment since their debut effort, and on A Brief Inquiry, they up to ante to a staggering degree. It's far-reaching in scope but it's also conceptually uniform, a beautiful mess of an album from a band who is inching their way towards the imperial phase of their career.
A Brief Inquiry Into Online Relationships is bolder in theme and aesthetic than The 1975's previous albums, but not all of the band's risks pan out.
On A Brief Inquiry into Online Relationships the 1975 know the score.
A Brief Inquiry Into Online Relationships ends up being a middling mess of genre-hopping. The 1975 decided to try a bit of everything and the results are just completely scattershot songs.
At best, A Brief Inquiry Into Online Relationships could be described as slightly passable background music. At worst, a self-indulgent mess that's taken far too many stimulants in the early hours and believed its own hype.
I can't lower my score on this, I just can't. It's certainly not one of my favorite albums of all time anymore, but I still love it to death. I really expected it to grow off me because I haven't re-listened to it in over a year. Fortunately, I still really enjoy listening to it, it reminds me of simpler times.
One similarity between this and OK Computer: the best track on both albums is the 4th track
Other than that, this album sounds like what happens when your 80s new wave cover band try to be Aphex Twin and Travis Scott at the same time. It had some good moments but also a lot of boring moments that dragged down the album's quality as a whole. The lyrics didn't improve that much unlike some instrumental techniques, although if The 1975 really want to have their music live up to the degree of ... read more
While I admit the early critic reviews have overhyped this record to some extent, I do believe there is a fair connection to be made with comparing this album to Ok Computer. It is nowhere near the level of quality of artistic ability, but there is a common connection with the substance of both records. A Brief History Into Online Relationships is a topical approach to what can be described as 'millennial problems.' The album deals with depression, drug addiction, isolation, modernity, and ... read more
i guess the appeal is on the lyrics? But at best, the lyrics are corny as all hell. Some of this songs sound like the answer to the age old question: what if owl city wasnt just one, but rather four white men? And who might have thought, the answer might be more boring than you think!
Cohesive conceptually with a varied but familiar sonic palette themed around well, the album title. For the most part, these are great songs first and foremost, but the writing and narrative either falls to the background slightly due to the quality of the songs musically, or is just a little annoyingly pretentious (not an original critique of them ik, but still). These issues i have with the album experience are definitely more apparent in the 2nd half following 'I Like America' and the ... read more
1 | The 1975 1:34 | 69 |
2 | Give Yourself a Try 3:16 | 85 |
3 | TOOTIMETOOTIMETOOTIME 3:27 | 77 |
4 | How To Draw / Petrichor 5:49 | 81 |
5 | Love It If We Made It 4:12 | 92 |
6 | Be My Mistake 4:16 | 81 |
7 | Sincerity Is Scary 3:45 | 86 |
8 | I Like America & America Likes Me 3:26 | 80 |
9 | The Man Who Married a Robot / Love Theme 3:33 | 67 |
10 | Inside Your Mind 3:50 | 81 |
11 | It's Not Living (If It's Not With You) 4:08 | 90 |
12 | Surrounded by Heads and Bodies 3:56 | 76 |
13 | Mine 4:06 | 79 |
14 | I Couldn't Be More in Love 3:51 | 82 |
15 | I Always Wanna Die (Sometimes) 5:14 | 91 |
#1 | / | NME |
#1 | / | SPIN |
#3 | / | Q Magazine |
#8 | / | The Line of Best Fit |
#9 | / | TIME |
#9 | / | Uproxx |
#11 | / | The Alternative |
#13 | / | Billboard |
#13 | / | Esquire (US) |
#15 | / | Gigwise |