A little one note with his one kinda weird standard of narrative lyricism - as always - is the critique. This time, he writes, split about beating himself up for being a bad person while simultaneously writing love songs. But Passenger captures that pretty music mood. Albeit pretty, personally, I think this album's narrative mood is split between genres that don't match or feel cohesive. But it's so pretty for late evenings or early mornings. Sleep in to this. I used to think Simple Songs were ...
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