Marble Skies

Django Django - Marble Skies
Critic Score
Based on 26 reviews
2018 Ratings: #441 / 794
User Score
Based on 155 ratings
2018 Ratings: #796
January 26, 2018 / Release Date
LP / Format
Ribbon / Label
Indie Pop / Genres
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Northern Transmissions

On Django Django’s third album Marble Skies, they scale down the eye-widening polyrhythms of their dense previous album Born Under Saturn without denying themselves the sense of adventurism that the British art rockers have possessed since their self-titled debut.

Much more fun and accessible than it’s predecessor, the record is a certain return to the form that beamed them onto the scene in 2012, even if it is a wholesomely more poppy affair.
It's a mature and refined album woven deeply enough into pop's historical fabric to please connoisseurs, but with enough lightness and fun for casual appeal as well.

More nuanced than previous releases but recognizably brand-related, Marble Skies is another win for Django Django.

The future sound of 2012 is mating here with the current sound of Yates’ wine lodge, and quite possibly creating the sound of 2018.
The Guardian
They may never make a perfect album – a certain unevenness seems inbuilt in their approach, where not every experiment turns out quite the way you might have hoped – but they’re capable of making music that sounds close to perfection.
Django Django never sound like they’re not having fun. This album feels purposely written to soundtrack their future barbecues, like they’re just playing what they’d want to dance to. That kind of pure, genuine enthusiasm is always infectious, and ‘Marble Skies’ feels like a joy ride.
The Observer
Their third album is as eclectic as ever, a winning meld of sunny harmonies, pulsing Krautrock rhythms and psychedelia-tinged vocals, all refracted through the prism of dance music dynamics. But this time there’s a welcome economy to the songwriting and nothing outstays its welcome.
Under The Radar

Marble Skies probably won't change anyone's mind about Django Django; it's a touch scattershot and not every experimentation works perfectly. But those qualities usually dog indie rock groups on their "difficult third album," and this one functions beautifully as a step further for Django Django. It's full of creative songwriting and risks that mostly pay off.


Marble Skies tightens everything up again. The renewed, lean sound is brought into sharp relief by vocals from Vincent Neff that speak again of pure enjoyment.


Marble Skies is at its best ... where Django Django pushes outward hardest and farthest — in two very different directions.

The 405

Marble Skies turns out to be their most successful album yet.


Marble Skies manages to retain the charming diced and spliced sound of their debut while delighting in the sheer joy of experimentation. Crucially, the band have remembered what made that mix work so well, riffing on a rainbow of hooks and melodies but nudging it in experimental directions. Most importantly, it's a whole lot of fun.

Loud and Quiet
If ‘Marble Skies’ is a little vanilla, it’s a deep and pleasurable kind.
God Is in the TV

Marble Skies is a very enjoyable and exciting record as the art rock band who usually shift between rockabilly and electronica add tropical dancehall, krautrock, house beats and psychedelic folk to the list of conquered genres.

Spectrum Culture

The band’s intrepid sense of experimentation is better served when they stick to their strengths ... but with its genre-blurring approach to music that thrives on otherworldly wavelengths, this third album’s crests outweigh its troughs.


You can hear them striving for the evolutionary jump that eludes so many indie bands on their third records—trying to concoct something fresh and exciting without losing the momentum they’ve built thus far. While Marble Skies doesn’t always quite get there, the planets it frantically orbits while awaiting touchdown are worth the journey.

The Skinny

Marble Skies finds difficulty in consolidating each defining element into a smooth blend, leading to a record that’s bookended by heart-stopping tracks with a frustratingly stodgy middle passage.

Drowned in Sound

Django Django gallop across the many realms of Marble Skies with giddy aplomb, eager to prove that each one’s plausible. Granted, at the end of the day, these are mere escapes, surreal set pieces for a witty travelogue that never happened and never will happen – but hey, fun’s fun, right?

Crack Magazine

Marble Skies is cleverly constructed and full of hooky choruses, but the art-rock quirkiness makes for a general feeling of a lack of feeling, and the songs here are easy to listen to but hard to connect with.

No Ripcord

Ultimately, Marble Skies is a hopscotch of metamorphosizing sounds that can be rewarding for the most part, but only if you can muster the energy to make it so.

In its entirety ‘Marble Skies’ is a mixed bag that showcases the multitude of genres Django Django can draw upon, but it lacks cohesion.

While Django Django’s third effort doesn’t quite reach the heights of its first, it’s a solid effort from one of indie’s success stories.

I actually really like this album. It has a beautiful psychedelic feel to it and the songs are bouncy, ear grabbing, sweet, and engaging. I wish that these ideas were maybe a little shorter. While I enjoyed the album, it many times felt like these songs went on a little too long in the second half. Still super fun and engaging listen, and after 3 listens I have a feeling I will be giving this many more listens in the future.

Original Score: 73 (will likely go up)
It is a bit of drop in Quality with me as the songs are good but they most feel void of energy and that Django Django just tried to play it really safe and it created 10 tracks which are good but nothing to write home about.


Marble Skies 6.5/10
Surface to Air 7/10
Champagne 7/10
Tic Tac Toe 7/10
Further 6.5/10
Sundials 6/10
Beam Me Up 6/10
In Your Beat 6.5/10
Real Gone 6/10
Fountains 6/10

AVERAGE: 6.5/10
it's definitely enjoyable, but not nearly as sharp as their debut LP or their sophomore album.
Marble Skies - 75
Surface to Air (feat. Self Esteem) - 70
Champagne - 70
Tic Tac Toe - 70
Further - 70
Sundials - 70
Beam Me Up - 65
In Your Beat - 65
Real Gone - 65
Fountains - 70
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Track List

  1. Marble Skies
  2. Surface to Air (feat. Self Esteem)
  3. Champagne
  4. Tic Tac Toe
  5. Further
  6. Sundials
  7. Beam Me Up
  8. In Your Beat
  9. Real Gone
  10. Fountains
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Added on: October 10, 2017