Your Review
CRITIC REVIEWS
100
That he’s produced such a full, lush sounding thing packed with personality and life is impressive – but not surprising.
7mo
90
In many ways, this is as radical, experimental and mind-expanding of a pop album as you’re likely to hear anytime soon, let alone by a festival headlining artist.
8mo
90
‘Boarding House Reach’ is easily one of the most layered and compelling releases of 2018, which furthers White’s legacy as one of the few remaining mavericks in music.
7mo
90
Boarding House Reach may be a hard pill to swallow, but it's rarely boring and without a doubt the most far-reaching, experimental collection of songs in White's ample discography.
7mo
90
Jack White's Boarding House Reach is his most unorthodox stroke of genius since going solo.
7mo
80
Jack is and always has been a true weirdo with a brain that operates like no other. And here, he’s on gloriously eccentric form.
7mo
80
There is ultimately something sketchy about Boarding House Reach, pulling in so many directions that it suggests rough drafts for more fully formed work to come. But for all that, there are so many rich ingredients in the mix, even misophones should find something to soothe their troubled ears.
7mo
80
Boarding House Reach is easily his most “produced” album, though it’s far from a smooth listening experience.
7mo
80
Boarding House Reach is a firm fuck you to complacent, screen-staring, Trump-submitting America, its social media–based icons and neatly-packaged pop songs about cars and pills. It’s esoteric and unsettling, because he’s done trying to reason with us.
7mo
80
This record, while not entirely “bizarre,” is either adventurously or confusedly all over the place (most likely the former). But wouldn’t you know—White actually sounds like he’s having a blast not having to be his usual self.
5mo
75
In his White Stripes days, White often showed up to recording sessions without any new songs, trusting that once he and Meg started playing, inspiration would strike. This new record attempts something similar, and ends up as an astonishing snapshot of a notoriously persnickety creator, exploring the ultimate aesthetic contradiction: forcing himself to be more free.
7mo
75
Boarding House Reach is just crazy enough to make it work—and with this as his point of departure, it’s now refreshingly impossible to predict where White will go next.
7mo
75
It feels like a natural evolution for the singer/songwriter/guitar-master who’s made a career out of channeling bluesy bombast with punk rock-style urgency. This time he just added more funky freak-outs.
7mo
73
His latest is his first true departure, and the unfamiliarity is at once a challenge to absorb and also a fascinating turnabout from an artist who is demonstrating that he is more willing—and able—than most to subvert the expectations he’s created for himself.
7mo
70
This is no album of the year contender, nor will it rank too highly on White's saggish discography. Instead, it's thirteen songs of creative madness. Jack White may not be as relevant as he once was, but his ambition is still just as strong, twenty years on.
8mo
70
Not only are these the strangest songs White has ever written, he's now got the eclectic instrumentation to match. These 13 tracks feature a synth-heavy sonic palette and freewheeling structures that White stitched together from extended studio jams, resulting in a postmodern mashup of vintage and futuristic.
8mo
70
Even in the earliest days of the White Stripes, White limited his aural palette with deliberate zeal, a practice he sustained through the Stripes as well as his first two solo albums. Boarding House Reach is where he expands his horizons and that discipline begins to fracture, and quite intentionally so.
7mo
70
It's his strangest record, but per usual, it shows his continued devotion to rock's dark arts: the tangled cultural roots, "mistake"-enhanced recording traditions, self-righteous fury and fetchingly-deranged megalomania.
7mo
65
White has called Boarding House Reach “bizarre.” But it’s messier than it is bizarre.
7mo
60
A postmodern assault of freaked-out sonic ataxia, it's messy, wildly uneven, and at times even close to unlistenable, but its sheer audacity makes it utterly intriguing.
8mo
60
There’s an ever-present feel of the extempore about these tracks, which sometimes seem to succeed through sheer persistence, and sometimes struggle to coalesce into something worthwhile.
7mo
60
Boarding House Reach resembles less a coherent album than a miscellany of ideas – or a collection of B-sides, with all the good and bad that entails.
7mo
60
Boarding House Reach is… weird. White’s third solo album is ambitious, fuzzy, and futuristic but it’s not inherently bad, just weird. It’s certainly not an album for the past and it’s not one that fits exactly in the present.
7mo
60
With his third solo LP, Jack White hits the nail on the head just as often as he misses it spectacularly on a haphazard record.
6mo
58
Of all the bad records from popular artists in the past few years, Everything Now, Painting With, Songs of Innocence, Jack White has created the best kind of bad record, one that is packed full of ideas like a children’s book that got struck by lightning. Whether you love or hate Boarding House Reach, one thing is obvious, it is not boring.
7mo
47
Sadly, the years have steadily whittled the playfulness from White’s material. His work is now too lumbering and unmoored for anyone to take much pleasure in it.
7mo
45
On Boarding House Reach, Jack White has given himself free reign to do whatever he wants. But like a child let loose in a candy store, he has eaten way more than his fill and vomited all over the floor.
7mo
40
More concerning ... given White’s fondness for conceptual heft, is how lightweight it is. So preoccupied he seems with how he could make an album this strangely self-absorbed, he never stopped to wonder if he should.
7mo
30
On Boarding House Reach he sounds like he’s desperately trying to prove how clever he is to his listeners, frankly, you wish he’d just write a few more decent songs first because this record is often so frantic, that all of the songs become a blur with very few standouts. Listening to it just leaves me wanting to reach for the pain killers.
7mo
Who'd have though we'd live to see a day when Jack Black makes better music than Jack White? What a time to be alive.
I can definitely appreciate the experimentation and the decision to do something more daring this time around, but it all just feels too uncalculated and inconsequential for me to pull anything from it. Whilst Blunderbuss & Lazaretto were definitely much safer albums, I think they had a lot more going for them in regards to quality grooves/hooks & songwriting, this just feels hollow and disassembled by comparison, couldn't get into it.
Easily one of the most exciting album to come out this year so far, for me personally. I feel ever since the separation of The White Stripes, Jack has yet to match the explosive catchiness that he seemed to burst with Meg by his side; here, he doesn't just match it, he exceeds it. I personally don't think rock will ever die (or at least I hope), but it's easy to see why it has fell off the top in popularity, and hip-hop has taken it's place; modern rock is too obsessed with it's past, whilst ... read more
LONG FORM REVIEW:
“Rock is dead.” A phrase that is all too often thrown around.
In the past 30 years, rock has steadily declined in prominence, with adult-alternative bands, like Train and Maroon 5, and arena rock/electro-pop fusion bands, such as Coldplay and Imagine Dragons, continuing to water down the once highly name of rock music. While many have hailed traditionalist bands such as Greta Van Fleet (and Tame Impala, to a certain extent) as the 'saviors of rock,' I believe ... read more
“Rock is dead.” A phrase that is all too often thrown around.
In the past 30 years, rock has steadily declined in prominence, with adult-alternative bands, like Train and Maroon 5, and arena rock/electro-pop fusion bands, such as Coldplay and Imagine Dragons, continuing to water down the once highly name of rock music. While many have hailed traditionalist bands such as Greta Van Fleet (and Tame Impala, to a certain extent) as the 'saviors of rock,' I believe ... read more
Boarding House Reach? more like... BORING HOUSE REACH!!! HAHAHaaaaa
Edit: Original Score 71. I have good days with this album and bad days. It’s overall an extremely coherent experience that works in a very avant-garde way. I kinda like it
Edit: Original Score 71. I have good days with this album and bad days. It’s overall an extremely coherent experience that works in a very avant-garde way. I kinda like it
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MISC LISTS
| #11 | / | NME (First Half) |
| #25 | / | Consequence of Sound (First Half) |
| #50 | / | Uproxx (First Half) |
| / | FLOOD (First Half) | |
| / | The Needle Drop (First Half) |
Track List
- Connected By Love
- Why Walk a Dog?
- Corporation
- Abulia and Akrasia
- Hypermisophoniac
- Ice Station Zebra
- Over and Over and Over
- Everything You've Ever Learned
- Respect Commander
- Ezmerelda Steals The Show
- Get In The Mind Shaft
- What's Done Is Done
- Humoresque
Added on: January 10, 2018
