fire especially southern style lemon peppers

fun to listen to

the 2nd verse sounds exceptional.

The last few songs kinda trail off but overall this album is unbelievable. There's a good amount of witch house-y stuff going on in the beginning, and it is so so beautiful. The first couple of tracks are some of the best songs I have ever listened to.

😴😴😴😴😴😴😴😴😴😴mitski ahh

tracks 1 and 3 are crazy.

Pretty great but not as great as they say; Sematary did it better.

This was very hit-or-miss. I liked piasse and Revolution pas tranquille a whole lot. Shake was also pretty good, albeit with it being the only one I could sort of understand, I found it corny.

ALso Cayo Perico and Piasse go dumb

The beginning of this song blew my mind. The production and hook on here is incredible.

this is a cool project
it is very ambient

this one is harder than usual for these guys

I enjoy hearing modern-era experimental electronic music outside of the flavor-of-the-month experimental genre (right now, it's maximalist rage/club bangers, which I admittedly do love), and this rating might be a little glaze. It was very cohesive, lowkey, and sweet.

This is not as hard as others but not at all bad

very good bald guy

I thought some of the throughout this project, where she explains why she hates different guys (e.g., A Coucionairy tale and Mr. Eclectic), were annoying, and reminiscent of Taylor Swift-esque power pop in terms of the writing. I do not like Taylor Swift-esque Power Pop. Those tracks got very repetitive throughout the album. Despite my gripes with a lot of these "I hate my ex"-type songs, I liked Tough Luck, and I thought Lover Girl was phenomenal. I enjoyed the direction Sabotage ... read more

This was so beautiful and ethereal. It kinda tapers off near the end, but it’s overall great. Every track works smoothly with one another.

I knew how the hook went before I played the song. I liked headlights way better. The verses were good.

Black country old road

Many of the ideas in this track are great, but the overall cohesion between these ideas left something to be desired. The hook is also bad.

The last track was basically pretentious filler, but the 2nd track was incredible.

This album is basically a mixtape, especially in the beginning. There is little sonic or topical cohesion, and I wish he just went down that route, and along the way, removed the hook from "EWR – Terminal A, Gate 20." This album is probably Aesop Rock's best album since The Impossible Kid. The feature list is great to.

Secret Knock - this was incredible - 90
Checkers - I didn’t love it when it came out, and I like it less now. It sounded like a leftover song from ... read more