To me, the greatest mystery in music of the last 10 years is how Dance Monkey reached number 1 in over thirty countries. How is it that Tones and I is just about the biggest thing to come out of Australia since Tame Impala (and even then, her success eclipses that of Kevin Parker). Why do I ask this? Because every time I decide to engage in her music, I am lost for words. There is nothing redeemable, interesting or new on offer. Welcome To The Madhouse is no different. Rarely has a body of music done so little for me. But I must be some sort of anomaly. Whether it be actual enjoyment or industry meddling, Tones and I continues to be successful, and I continue to scratch my head.