I should revisit this album sometime, I really loved Tally Hall when I started to care about music, but I always thought this album was worse than Marvins Mechanical Museum.
Sounds like if you wrapped David Byrne in tinfoil and made him listen to every house musician of the 90s to 2000s. My only problem is I listened to Get Innocuous! so much in middle school that now I cant listen to it.
That "Good Luck!" sound is so good, the dopamine receptors are eatin good tonight.
The album is pretty good, but whats really important to me is that this is the closest we have gotten to getting a noise rock gizz album. A full Noise rock gizz album would be LIFE CHANGING (post-rock gizz, and shoe-gizz also is a necesity)
Take every thing amazing about Melt My Eyez, give it a disc 2 with incredible live versions, and give it a better album art.
"SHADOW WIZARD 🧙♂️🧙♂️🧙♂️MONEY GANNG ⁉️⁉️⁉️⁉️WE LOVE CASTIN' SPELLZ 🗣🫖🔥" ass album art
Probably not gonna listen to this front to back but if I'm ever bored I'll chip away at it a couple songs at a time
This album is good, but I really want it to be great. I feel like if they just made the tracks more polished, less like a demo, this would be one of my favorite KGLW albums, but its just feels way to piecemeal and thrown together for me to be anymore than pretty cool.
My middle school nostalgia has a grip on me that will never let go, so I still enjoy this album. Banana Man is MORE THAN QUESTIONABLE though.
If this doesn't get considered as a necessary listen of the year I'm removing Connecticut
Edit: Connecticut lives to see another day.
Chill bro its just a parking ticket
Also, mind altering album. Moya's climax has been stuck in my head for hours and I doubt its gonna leave anytime soon. If this is what they do with 28 minutes what the fuck can they do with a full album?! I might regret how high I'm rating this but right now its perfect.
Edit. I have listened to Moya 12 times in the past 48 hours, this shit is staying an 100
STOP POSTING ABOUT THE TORTURED POETS DEPARTMENT! I'M TIRED OF SEEING IT! MY SWIFTIE FRIENDS SEND ME THE TORTURED POETS DEPARTMENT, ON YOUTUBE IT'S FUCKING THE TORTURED POETS DEPARTMENT ADS! I was in a record store, right? and ALL OF THE ALBUMS were just THE TORTURED POETS DEPARTMENT stuff. I-I showed my copy of BRAT to my friend and the album art, I gray scaled it and I said "hey, when the music is re-released! HAHA I'D SAY THE 1830s WITHOUT ALL THE RACISTS" I fucking ... read more
Really nice psych rock here, after such a good album I sure do hope they take a nice long break, not releasing another album for a solid amount of time!
The production is great, and Andre is a very talented flute player, but these song titles makes this go from a really solid ambient flute album to an arsenal of verbal flash-bangs that can confuse anybody with a 99.9% efficiency rate.
The Downward Spiral felt like sewage being pumped into an abandoned building, slowly making an already too far-gone structure worse. Broken feels like going to that same abandoned building and blowing it up with illegal fire crackers.
King Gizzard and the Lizard Wizard's most King Gizzard and the Lizard Wizard-y release excluding King Gizzard, and Lizard Wizard
We NEED to see a Rap/Funk Metal album from Denzel just so we can see him redeem himself. There is no way in hell I will believe that the man who COMPLETELY UNDERSTOOD HIS ASSIGNMENT on his Bulls On Parade cover couldn't make something better than this.
Such a beautiful and introspective listen. So many different sounds bring something new to the album that are all held together by this fuzzy, emotional, sci-fi thread. Melt Session #1 has incredible production and a beautiful vocal sample, Walkin's beginning and end feel so disconnected yet both work sides work really well, Troubles is really catchy and wonky, Angels has some excellent writing from Denzel, and the break-beat drums in Zatoichi are hype as hell. Please listen if you are AT ... read more
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