The concept is very intriguing but there are still quite a few misses.

This record does an excellent job at forcing you to face the problems with the world and see society for how it is.

I don't have a good or witty comment for this.

At least we know Kendrick at his very worst is just incredibly boring.

I love how bright and flowery this album is. It reminds me of taking long walks in the summer evenings.

Yeah there's a lot of cringe but I thinks some charm buried beneath everything. It has definitely aged very poorly.

The concept of a "college crashout" is rarely brought up in music, and I believe it's been executed in a very exciting and moving way on "Teens of Denial."

This feels like the equal opposite of "In Rainbows." Its sound is much quieter and more atmospheric, and the themes delve into more holistic concepts. However, the production and instrumentation is just as quality.

Damn...

Such a unique take on Death Grips' style. The second half of the record is much better and more distinct than the first half, however.

It's either incredibly blown-out production or boring instrumentals. "Fucking Young" might just be Tyler's most diabolical song ever released (and was a single release at that).

One of the most diverse, deep, and exciting hip-hop records one could experience.

Aged like milk but there are still some good ideas. "Goner" may be their best track ever.

Returning to a more traditional sound definitely helped their consistency in comparison to "The 2nd Law."

It's incredibly immersive and dark, but there are some moments that feel a bit too repetitive and stale that can take the listener out of the experience.

This record shines more now that it did when it came out because we can look back and see just how well it aged in comparison to many other EDM projects of its time.

This is the best Tyler's music has sounded up until this point, but this record still suffers greatly from bloating and Tyler's voice sounding unenthusiastic.

This record hasn't aged all that well, but there are still some of Twenty-One Pilot's best and most well-meaning tracks on this album.

Despite its length, Paramore's self-titled record constantly pulls you in with bolder production, stronger riffs, and more ear-candy pop fusions in comparison to their previous projects.

This record is just so much fun.