Why does every even remotely industrial project (Einstürzende Neubauten, Throbbing Gristle, Psychic TV, SPK, Clock DVA) must get softer with time... Their career is not even as long as these other outfits I mention and yet they now too fit into that pattern perfectly.
Aesthetically reminds me of Gasp's "Drome Triler of Puzzle Zoo People", definitely not for metal puritans
I strongly believe that I'm not recency biased when I say that to me this is so far their most interesting record
Both tracks drag a little bit before they develop, but when they do - it's magical
The vocals really need getting used to them in order to freely enjoy the record. Nevertheless, that wind section is fire!
I honestly can't understand what I've seen in this band when I was younger. Especially this early material is very same-y to me with that one and only tempo in every single track of the first couple of records
How do people tell THESE records apart? I mean, don't get me wrong - I like the genre of noise very much - but there is only so much clamor one can make within its frame of characteristics
"A Journey into Sound" is sampled/used on the collaboration with Mike Patton, and this is not the only instance of that project containing something from X-Ecutioners' prior material
Taking into consideration also the untitled number after the three tracks of silence - none of which are listed here, since this is the streaming platforms track-list, I suppose
Luckily I didn't have too high of expectations, but still quite underwhelming unfortunately
Very bloated, I can hardly wait for it to end. There are a couple of minutes that I like on this, especially some instrumental sections towards the end.
David Saxum of Northern Transmissions: "...challenges our preconceived notions of what music can be"
Bro, the only challenge that this record poses is sitting through the unnecessary long runtime of this so called hypnagogic pop, done both better and worse in the past by several other artists, such as Ariel Pink, John Maus, maybe ... read more