Nov 3, 2019
Saw these two jokers live, made me revisit this album

It’s like taking ecstasy and landing in candy land. It captures this sound and feeling really well

It might grow on me
Oct 25, 2019
Probably the only album I was excited for this year. I gave it an unfinished listen due to time and I’ll just say I like what I’m hearing. It has a lot of ideas carried over from The Glowing Man while being way more stripped back. Vocals are a little overly present but I want to give it a strong focused listen
Oct 25, 2019
Oct 25, 2019
Deducted 5 points for every day I spent waiting for it to drop
Oct 22, 2019
Ouch pitchfork
Oct 11, 2019
All killer no filler
Oct 10, 2019
I’m hanging up my low expectations
Oct 8, 2019
Weak songwriting but cool aesthetics. Could see it growing but all I could think about was how some of the responses to this album were gonna be really... well

Couldn’t stop thinking about all the “I’m not familiar with Olsen’s work, and I’ve never listened to a _____ album before, but I’m glad I did because WOW it’s music. End of review”

My review is just as bad as that review if not 50x worse. I’m going to go back to working on drip or ... read more
Oct 8, 2019
Absolutely stunning. Can’t wait to hear the album
Oct 6, 2019
Oddly psychedelic

Seriously, this project, even though it is essentially a mashup album and a meme album, is intriguingly cohesive and even gorgeous in it's creativity.

I think that Mouth Moods, his following project has more memorable tracks on it, and a stronger overall mix, but I find this album to have the strongest sense of creativity, and some of the wackiest song mashup ideas ever. It also means a lot that he put these albums under his own name, as I feel like even through the use of ... read more
Oct 1, 2019
This is r/whoosh the album.
Sep 25, 2019
If this album makes you “suicidal,” then there is a good chance you were already suicidal before listening to this. I really don’t see where that angle came from, but considering the top review is a “don’t listen, this album promotes suicide,” I can see how people would listen to 60 seconds and immediately turn it off and agree, and drop a strong 0.

Well I actually listened to the entire album. Somehow I managed to do that... and I honestly would have been ... read more
Sep 25, 2019
Full EP is produced by Sophie, pushing the pro LGBT message of Charli’s music even further. Respect

So the music itself... uh... okay I never really cared much for Sophie’s stuff. I still think Sophie has insane potential so I wouldn’t count her out immediately going into this but I’ll start with the cover

It blows. Wow it isn’t creative

Okay the music

Vroom Vroom - really really safe. I guess I just hoped for some louder or punchier production but whatever ... read more
Sep 25, 2019
Wait “Track 10” is literally just “Blame it on your love” before it got the crazy catchy beat and the Lizzo feature. Idk what to make of that, but it does work well as a sad ending to this mixtape. Strange

So after loving Charli I decided to listen to Pop 2 again, one of the most iconic album covers of the 2010s. I really can’t say much more besides it sounds like the stepping stone to what Charli became. ESPECIALLY with the closer here, and the posse cut with ... read more
Sep 21, 2019
I aint listening to this shit

Edit: I listened half way and it is manipulative, cheap, and flaccid cringe-core pop rock
Sep 21, 2019
Ameer shows growth as an artist but not as a person. It feels in a lot of ways like him being in BROCKHAMPTON helped stop a lot of bad habits he did before, but now that he is out, he is back to his same old ways.

It’s a really ugly reality that makes this album tough to appreciate as a “hardcore hip hop” release. I don’t enjoy the bangers because it feels too real, and so dark.

I loved the first track but really everything else was a step backwards
Sep 19, 2019
A real Gunner like myself
Sep 17, 2019*
Wow! What an unexpected effort from Charli XCX.

This album is everything I love about pop music. Such a fantastic effort. It is catchy, instantaneous, incredibly consistent, and creative.

This album travels through a large variety of pop music styles, adding a twist to all of them. Charli XCX, even hiding behind a robotic wall of autotune, is such a powerful voice who carries such powerful emotion through this album. The production is so visceral. I absolutely adored some of the melodies on ... read more
Sep 17, 2019
The ideas behind this album we’re better than the album itself. It came out in a week where, it was either this, or more boring indie pop. I’ll gladly take this over another critic-paid jerk off fest.

That being said, songs like Twin Fawn still go soooo hard, and I love that this was such a lane change for Chealsea, that she came totally prepared for.
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October Playlist
Vinyl Me, Please