Scaring the Hoes succeeds where its many collaborative albums (save Kids See Ghosts and Haram) fail in its ability to utilise its artist lineup for more than dual fandom clout. Peggy produces some of his most excitedly forward-thinking beats to date, and Danny returns from a long period of dormancy to find new weirdo ways to spit the coldest and funniest bars known to man over them. This pair up works because the two bring the best ... read more