Combines the purity of ‘Five Leaves Left’, some of Benjamin Clementine’s theatricality, the gently unfolding arrangements of ‘Ys’ and the same solid connection with the soil beneath that, say, Ben Howard’s ‘Noonday Dream’ or Talk Talk’s ‘Laughing Stock’ took care to nurture.

As impressive a folk song cycle as 2020 might offer us.

If this had tunes on a par with the standout moments from 'Currents' ('Let it Happen', 'The Less I Know The Better', 'New Person...') then we'd really be talking.

Instead this offers us an even more enveloping production sheen than 'Currents' and also makes its kinship with the first two albums known with all those retro psychedelic washes of noise.

So better than expected.

Still, his weakest album all things considered - and a strict 40 minute run time might have served KP better.

The song writing is a little indistinct, and his voice is merely 'good' rather than 'great', but this is an agreeable folk-ish approach with some well incorporated atmospheric touches which are often the highlight.

Just 25 minutes of phoned in recycled pop?

Less kerplunk, more ka-ching - easy work if you can get it.