I've noticed you love Tangerine Dream, but you haven't really checked out any of Klaus Schulze's solo material. I reckon you're missing out, my friend. 'Mirage' and 'Timewind' in particular boast two of the most beautiful soundscapes I've heard!

Thank you. Sorry for the bombardment of questions but I have two more if you'll humor me again. Who are your favorite pianists in both the jazz and classical world and what is your opinion of Glenn Gould? I find him to be genius in his own way but I recognize his Goldberg Variations are a polarizing topic. Apologies again for my rampant questioning, I just don't have the opportunity to speak to any other insightful music appreciators.

It was my mistake not recognizing these tunes to be standards. That changes my perspective significantly and also explains my perception of limited tone and "dead ends." Where might I find quality compilations of his original material? And thank you for that fantastic answer!

Can you tell them to invite me back?

It didn’t work :( It only directed my to my own account...

I agree! Schnittke's string quartets do deserve a lot more attention on here. After seeing it on RYM, it's your high rating for it that urged me to listen to it. Other than that, you're just too kind, really <3

...is a true display of technical mastery. But I would love to hear some other thoughts! What is your interpretation of Art's use of tone and the quality of his broader direction and how that adds to or hinders the incredible dynamics and color he imposes in his performances?

What do you think of Art Tatum's improvisation? I've found myself fascinated with Art's unparalleled ability as a pianist but I'm finding a problem with the quality of his improvisation. Not playing on changes leaves his artistic freedom wide open but I feel it can become a detriment. Although his ability to produce extraordinary color is indisputable, I find that tonically and directionally there is something to be desired. Pieces like "St. Louis Blues" and "How High The Moon", as technically brilliant as they are, sacrifice tone for dynamics. These dynamics, although incredibly compelling, are assisted by much weaker tonal development. I've also noticed Art forming an idea and then falling into a dead end, recovering with the same blindingly fast scales that allow him to almost reset. For me, this lead to a feeling of fragmentation as I feel as I'm wandering around these incomplete ideas. I do absolutely love Art Tatum and "Piano Starts Here" is...

Also, do you have any recommendations? Thanks in advance!

Do you have a link to the CFCE discord? I’m pretty sure i’m a member: I’ve gone on the discord multiple times and I’m followed by the ‘official’ CFCE account.