๐ ๐๐ฎ๐ฌ๐ข๐๐๐ฅ ๐๐ฑ๐ฉ๐๐ซ๐ข๐๐ง๐๐ ๐๐ฎ๐ญ ๐๐ ๐๐ก๐ข๐ฌ ๐๐จ๐ซ๐ฅ๐ (๐๐จ ๐๐๐ซ๐ฌ) - ๐๐ง ๐๐ฏ๐๐ง๐ข๐ง๐ ๐ฐ๐ข๐ญ๐ก ๐๐ข๐ฅ๐ค ๐๐จ๐ง๐ข๐ ๐๐ฒ ๐๐ข๐ฅ๐ค ๐๐จ๐ง๐ข๐
Once Leave The Door Open was released, I think most of us knew the album was going to be ๐ง๐ถ๐ค๐ฌ๐ช๐ฏ๐จ ๐๐๐๐๐๐๐. Out of this world. To Mars, even. Two performers whose music had showcased their showman abilities - one trending towards a boastful, funky sound, and another trending towards a silky neo-soul aesthetic, both of which were heavily inspired by retro styles. The album really couldn’t have gone wrong, even if they wanted to.
The album is drenched in the sound of smooth soul, as it wears its pop-funk influences as frequently as Andy wears his “unneeded for necessity, needed for swag” sunglasses. ๐๐ข๐ฅ๐ค ๐๐จ๐ง๐ข๐ ๐๐ง๐ญ๐ซ๐จ sets the stage for the show for “tonight”, although looking at the running time, the album is shorter than Joe Biden’s pauses between his speeches. ๐๐๐๐ฏ๐ ๐๐ก๐ ๐๐จ๐จ๐ซ ๐๐ฉ๐๐ง and ๐๐ฎ๐ญ ๐๐ง ๐ ๐๐ฆ๐ข๐ฅ๐’๐ฌ ballad/slow-tempo aesthetic build one major pillar. ๐ ๐ฅ๐ฒ ๐๐ฌ ๐๐, ๐๐ฆ๐จ๐ค๐ข๐ง’ ๐๐ฎ๐ญ ๐๐ก๐ ๐๐ข๐ง๐๐จ๐ฐ and 777 provide a playful switch. ๐๐๐ญ๐๐ซ ๐๐๐ฌ๐ญ ๐๐ข๐ ๐ก๐ญ, ๐๐ค๐๐ญ๐ and ๐๐ฅ๐๐ฌ๐ญ ๐๐๐ deliver silkily yet boisterous performances. It’s hard to pinpoint a particular way this album sounds, but then again, it further shows the diversity.
Sonically, Bruno and Andy might’ve never sounded better. The shared spotlight brilliantly magnifies each’s strengths while adumbrating their weaknesses. It is nearly impossible for Bruno to sing for 4 minutes and still make listeners engage, so Andy’s sprightly charisma can perfectly relay on. It is hard for Andy to be consistent throughout in his vocals, so Bruno’s showstopping singing can help with that. You pair gin with Fanta, and you get a drink less spirit-challenging and less overtly-sweet. Ultimately, the album gets the best of both worlds.
While it is necessary to point out that both Andy and Bruno fit each other like a hand in a glove, it is crucial to mention that it is apparent that some of the songs are specifically suited for either act. ๐ ๐ฅ๐ฒ ๐๐ฌ ๐๐ is perhaps the most Paak-sounding song ever - A bouncy beat, a mischievous melody, as Paak skips and dances along with the instrumental like he did here: (https://www.youtube.com/watch?v=0pEATRC4KRA) ๐๐ฎ๐ญ ๐๐ง ๐ ๐๐ฆ๐ข๐ฅ๐ plays to the strengths of Bruno - vocals headed straight for Mars (I will not stop). It is perhaps such a phenomenon in the album that further illustrates how solid this record is - They could do tag-teams or let one shine brighter, and the songs still come out absolutely wonderful.
This is perhaps the prime example of a collaboration that you didn’t ask for but desperately needed. Honestly, This partnership makes so much sense - Two performers whose recent music had illustrated their showman abilities, while Paak hopes to appeal to the wider pop audiences, and Bruno hopes to appeal to the dedicated audiences, both of which sought with great attempts. With the combination of the two and the audiences they cater to, I think both of them nailed their ambitions to a tee. Even more so, in a world of crises where people seek nostalgia in any way possible, Silk Sonic’s amazing take on the Stevie Wonder/Motown/(the wonderful) Bootsy Collins sounds emerges to widespread tastes. A collaboration straight out of a fever dream, silk Sonic is now THE realistic candidate for Album of the Year.
1 | Silk Sonic Intro / 75 |
2 | Leave The Door Open / 90 |
3 | Fly As Me / 93 |
4 | After Last Night / 95 |
5 | Smokin Out The Window / 95 |
6 | Put On A Smile / 80 |
7 | 777 / 70 |
8 | Skate / 80 |
9 | Blast Off / 90 |