The odd emotions in it exceed the music as such. There’s a certain depressing weirdness to the sadness. But the results are a watered down version of the highlights. • Parton Saint of Pale, Man Overboard
infinite queer joy meets its limits. MUNA still possess the same qualities but the tracklist is weaker this time around. We get wonderful moments but they’re scattered. and maybe its just me but is this album more cringey in general? either way, i know they have many more bangers in their future • It Gets So Hot, Dancing On The Wall, Mary Jane
i’m not the right person to judge this (in the traditional sense) dramatic performance. Idk man, this is highly impressive to me. At the same time, this isn’t what I’m used to listening to. So what I'll attempt to land on is a healthy appreciation (for now) • WHERE IS MY HUSBAND!, I Know You’re Hurting, Click Clack Symphony
I must recognize there was a time and place for this sound (Gerard Way's and Andrew McMahon's solo ventures) but in 2026, it feels incredibly dated. While I feel nostalgic about much of what is done here, I can’t appreciate it going far beyond that • Die To Fall
while I don’t love every approach taken, everything is executed well. what i’m left with is a collection of technically good songs that (for now) didn’t leave a lasting impression and a good amount of highlights. i see great potential for the album to grow on me • Ride, Sauna, Don’t You Know Who I Am?
| 100 | ||
| 90 - 99 | ||
| 80 - 89 | 3 | |
| 70 - 79 | 11 | |
| 60 - 69 | 9 | |
| 50 - 59 | 1 | |
| 40 - 49 | 2 | |
| 30 - 39 | ||
| 20 - 29 | 2 | |
| 10 - 19 | ||
| 0 - 9 |