Bro the Family Therapy skit is actually fucking hilarious its so fucking funny
First two tracks were good and then it basically fell off so hard bruh
This felt like a gooning session where the first few minutes are great and then the post nut clarity hits and then ur depressed for the rest of the night
It comes to albums like this where I realize that there are people out there who are Rap fans but just never listen to shit like this. People that are just simply missing out. I love the jazzy and souly production on this. It's very colorful and creative.
Absolutely goated OST for a fricking Mobile game.
MOBILE. GAME. fully fleshed out games don't even have OSTs as goated as this.
also nostalgia from the game is too crazy
They're alright songs, I don't think any of the instrumentals was like really special tho. The Pen game was indeed crazy on the last track.
Sometimes horrible mixing, good lyric writing at least.
The ideas Kevin has on here is very scattered. I can tell He was out to impress, but I think he fell short simply being all over the place, especially the 3 tracks before the Quadeca songs near the end.
And most the features on this are, unfortunately, forgettable
It's good but it's not THAT good.
"wahh im so sad edgy emo teenager" but it's actually really well produced
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Recent Review Comments
On NonAnon's review of BTS - ARIRANG
"@NonAnon I'm afraid ur interacting with either bots or paid actor
account made today, a single review and it's a 100 on the new album.
And to the paid actor: "it's so tight, I MEAN- our relationship" the line itself does imply/have sexual undertones."
On Quadeca - i.ii.iii
"@SlintandYeatLuv it's good it's not 90+ good tho"
On NonAnon's review of 高中正義 [Masayoshi Takanaka] - BRASILIAN SKIES
"@inertema
Bossa nova emerged in Brazil in the late 1950s as a deliberate fusion of samba and jazz, often credited to artists like João Gilberto, Antonio Carlos Jobim, and Vinicius de Moraes. Bossa nova took syncopation and melodies of samba and recreated them with the harmonies of American jazz. The genre's 'iconic sound' is calm and gentle fingerstyle-guitar patterns, samba's rhythmic drive, smooth vocals, and chords drawn from jazz, such as 9ths, 11ths, and 13ths.
To your credit, Samba is in fact a Brazilian genre that is independent of jazz origins or direct influence.
But you have to read a bit more carefully before you comment.
NonAnon is talking about Bossa Nova, and Bossa Nova is often best described as a samba/jazz fusion."
On Christopher Larkin - Hollow Knight: Silksong (Original Soundtrack)
"@NonAnon im poor"
On Quadeca - Vanisher, Horizon Scraper
"@NonAnon fffffffffffFUCK no"
On NonAnon's review of 공중도둑 [Mid-Air Thief] - 무너지기 [Crumbling]
"I've never met this man in my entire life"
On NonAnon's review of Tyler, The Creator - DON'T TAP THE GLASS
"This website is going to die when Quadeca's album drops"
On Kid Cudi - Man On The Moon: The End Of Day
"@Gwagon35701 he also said new magic wand was the 2nd worst song on IGOR"
On Ken Carson - More Chaos
"@MclovinsID Quadeca is infinitely times better than Ken Carson, kind of an unfair comparison imo"
On XXXTENTACION - 17
"@Zylow damn that's kinda ur opinion"
On Car Seat Headrest - How To Leave Town
"@noxiiEM, one more
https://www.loudandquiet.com/interview/car-seat-headrest-cover-story-will-toledos-12-album-overnight-success-story/
"The journey towards what became ‘Teens of Denial’ began in 2014, as a reaction to the response he received to his 2013 double album ‘Nervous Young Man’. “I think people just had a hard time listening to it because it was so long...Usually knowing what you want to do does take longer to come into shape because you have to reject more material...This rejected material eventually found a home on ‘How to Leave Town’.""
On Car Seat Headrest - How To Leave Town
"@noxiiEM
https://uproxx.com/music/car-seat-headrest-bandcamp-albums/
"That’s one of the reasons why [Teens of Denial] took so long for me to write. It was about two years before it was done because I was generating a lot of material but I wanted a certain aesthetic for it and it took me a while before I had enough pieces that it could really feel coherent in that way.
For me [How To Leave Town] reads like basically a B-sides/outtakes collection but sort of conceptually so, not just that literal thing. A lot of the times, to me, a collection of outtakes that a band puts out from a certain era will be more interesting as an album listening experience""
On Car Seat Headrest - Gethsemane
"@OutOverThePA my fault gang i use internet explorer"
On NonAnon's review of Bon Iver - For Emma, Forever Ago
"u only listened to it because I listened to it"
On Low Roar - 0
"@NonAnon you won't, i know you won't"
On Cage the Elephant - Melophobia
"@NonAnon better than u"
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