"this is a forward for godspeed
nobody we know owns anything
many of us will never own anything at all
we're tired of feeling bewildered
tired of helplessness
we want many, many things to end soon
these times, when everything is denied us
anything is possible
but everyday stubborn, clumsy, beautiful ideas
drop on the withering vine
we're tired of this state of affairs
we call to end paranoia, self-intimidation and fear
meanwhile, the world spins
as if nothing has happened at ... read more

it's albums like this one that define not just one year in the history of a music genre, but the whole future of it as a whole.

(70->80) maybe it's better than i gave it credit for...

Sometimes, catchiness is all you need.

34 minutes of pure ass-kicking.

(60->50) While I appreciate the incredible effort Parannoul put into this album, in my opinion he still has to improve in a lot of aspects (mixing and song structures among other things) to make a post-rock and noise album, that doesn't make my ears to just turn off.

It's not really BCNR like some people suggest, but it's just as good, if not better.

Deftones' best output since 2000's "White Pony".

"Ys" definitely demands a lot from the listener. But if somebody can pay attention to all the lyrics and decipher their meaning, they will receive an absolutely heart-wrenching story. Combined with the surreal and progressive-chamber folk instrumentals, and this is an album like no other.

poignant sequel-prequel to ethel cain's alter ego.

New album is out! Thank you to anyone that supports me through AOTY :)

While there are some interesting ideas and sounds on "Love & Ponystep", I can't help but feel like this album was made for the most annoying Geometry Dash extreme demons... Though if I'm wasted at the club and they play this, It's going down.

God sorted em out, alright.

If one person holds the wheel, the car is most likely stable; if four people hold it together, the car is bound to make some weird turns. However, CSH still manage to steer it carefully enough and put out some of their most lyrically focused and progressive work thus far.

Even with the 75 minute runtime, "Hornet Disaster" is an improvement on all fronts from "Come In", especially in the songwriting and production department. While I admit, lo-fi sound is what made Weatherday stand out, I do like the cleaner and more polished sound of this album.

Ichiko Aoba crossed a new threshold of etherealness on "Luminescent Creatures".

a bit more mature and anthemic songwriting helps "Evangelic Girl is a Gun" rise above its predecessor.

though "softscars" offers some interesting sounds with great production, the more experimental and glitch pop tracks were perfected 20 years ago. "dazies" is pretty fire tho.

the sound needs some polishing and more focus, but production and vocals were great.

A lot of ambition and heart, a lot of effort and some great results. <3