AI is getting sad

this is an interesting one.
it feels longer than it actually is, but still some intriguing sonic ideas here and there

a lot of interesting sonic ideas and moments happening here. In fact, I was not bored or disconnected from this album for the vast majority of the tracks. however, I don't feel like there's any standout track on this one compared to the previous albums that had at least one standout moment

this is such a weird album, but like in a good way. I'm afraid it won't be a big hit, but it'll be a fan favourite in the future for sure

it looks and sounds Y2K, and that's quite awesome. some moments on this reminded me of Jockstrap in some way

it goes like pewpewpew oontz oontz oontz

I don't know why people are hating on this album THIS much. I don't think it's that bad and I vibe with some of the aesthetic choices she made here.
I will say tho that this album overstays its presence and drags on a bit too much. The product sounds like a quirky thing with some interesting ideas that, unfortunately, get diluted due to how long this thing is - this is a shame considering how powerfully it starts imo.

What I didn't like, besides its duration: vocal mixing sounds weird at times ... read more

the first half is good, but the second one is way better and more engaging for me

there are quite a handful of nice remixes on here, even if these are just a compilation of already known tracks. i really liked the love profusion, music and give me all your luvin ones

i think i came a bit

It sounds more "in your face" than their debut LP while keeping the same chill and humorous approach. I still prefer their debut over this one, but it's still a very solid and good follow-up to one of 2018's most unique releases

it bangs i don't care if the nerds don't like it

NOW WE'RE TALKING

I found it weird (not in a good way) and a bit all over the place on the first tracks, but the more you go into it, the more it makes sense. the second half is quite surprising sonically, I also love how the end of this album matches perfectly with the starting point

Production is great on this, however this feels like a mixed bag with no clear direction. This basically sounds like a recollection of some of the Mylo Xyloto tracks with slightly better production and textures. There are some points were it reminded me of A Head Full Of Dreams, but not to the same extent. Speaking of that particular record, this not as bad as A Head Full Of Dreams, but far from being anywhere close to Everyday Life. "People Of The Pride" was a nice surprise and I ... read more

cause we are living in a mercurial world and I am a mercurial girl

I'd say this is better than Rebel Heart live, which was not difficult at all if we're honest. It's interesting how she shifts between the intentional autotuned tracks and the non-autotuned ones that might demand more from her vocal wise. Yet, some of the non-autotuned tracks rely considerably on backing vocals, which honestly I don't feel was needed, she might not be a great vocalist anymore but she can still hold a note if she actually tries. There are some curious cuts here and there, ... read more

You mean to tell me the bass and guitars on this song don't sound A LOT like the bass on Melanie C's "Yeh, Yeh, Yeh"? Awesome song tho, one of my favs from this year so far

it's a cohesive album, but compared to their last ones this is pretty weak