2000s style metalcore with electronic elements. If that sounds like something immediately repulsive for a release in 2020, I don’t blame you, but this album actually manages to pull this sound off extremely well despite how tired and bad it may sound on paper, and manages to offer a uniquely entertaining, fun take on it that goes in hard.

My only real experience with this band is through Music to Dance To and Suicide Season, so this album stood as a pretty pleasant surprise. It’s fun and done much better than an album with this sound and direction could have been, and especially handled well with its heavier moments. The introduction also has the same intrigue as Music to Dance To but without the bloated length or unnecessary pieces. It could be better, but it’s definitely an appealing sound and outcome for the ... read more

Conceptually, it isn't too bad. It's essentially a more modern take on nü-metal. The first few tracks are pretty strong, especially compared to what a project like this could have been. With this take on nü-metal, however, this album brings with it many of the reasons why people stopped liking the genre to begin with. It doesn't really know what it wants to do, at times it's angsty and fun, other times it's the type of "woe is me" music typical of the genre, at times it goes ... read more

The vocals sound like vomiting or like the vocalist is just grumbling into the microphone without any care for what it sounds like. The instrumentals are compressed to the point where it sounds like someone across the room is playing them on a shitty iphone speaker and the vocals, the most apparent part of the album, are awful. The audio clips in this album not only don't fit and are reminiscent of the worst crunkcore has to offer, but they're about the only thing on this album that's well ... read more