There were some songs I liked and some I really didn’t. I find his voice irritating, but at least some songs had good production. It’s just too noisy and busy for me. This kind of music always seems really overrated to me. Not a style I enjoy.

While I think the production on this isn’t her best work, I do think that she has matured in her lyricism and really got across the point she set out to. An easy listen and, overall, enjoyable.

While I do think the lyricism and concept are extremely good on this album, I don’t think this is quite as good as everyone is saying it is. I didn’t find the production to be particularly interesting. It’s not bad by any means, I just felt the excellent concept could have been executed better.

I wouldn’t say this ran together for me, but the songs defiantly didn’t really standout from one another. I recognized that one part in Nothings New, but other than that it wasn’t good and her voice is pretty bad.

I’m always impressed by Shawn Mendes to not only release mostly the same song for an entire album, but to do the same albums multiple times as well. It is always the same sounds and message every time. There is never anything innovative in his career. The hits can be catchy, but that’s not enough to compete with considered and thoughtful pieces.

I like Kacey’s simplistic approach to writing. It feels sentimentally familiar and relatable and she just has a way of describing that familiarity like no one else really. I also really like her voice. I think it stands out in a sea of country artists whose voices I loathe. Overall, a great album.

Mostly fine, but uninteresting at times. I’m not a huge fan of this genre in general and they don’t do anything to really differentiate themselves in my opinion. I think it’s just kind of basic. Nothing that offensively bad, but nothing I found myself wanting to return to.

There’s nothing offensively bad about this album, it is just so dry. I don’t think Charlie Puth is a very interesting person. Everything he makes is technically sound, but it lacks a personality. I think he should just be a producer for someone who would inject could flare into his work.

So bland. Nearly all the songs sounded the same and they weren’t even that interesting to begin with. I think this could’ve been a fine short EP, but it drags on for so long without doing anything different than the last five songs.

Her best album yet, but that’s not really a high bar to beat. I think there’s a lot of mid on here which is brought down by a less than usual amount of slop for Melanie. The lyrics are, of course, as bad as usual. There were a few songs that I actually appreciated the content of, but then the next song would be trash and ruin whatever momentum she was trying to have. I think if she had edited herself to like the best twelve tracks instead of eighteen, she may have snuck into a ... read more

Yeah this just isn’t for me. I don’t understand the appeal. Their voices are so hit and miss. The lyrics are mostly nonsensical and some of the beats genuinely made me laugh (not in a good way). I don’t have much else to say other than I didn’t like it.

With all these delays you’d think that this would sound at least a bit complete. Instead, Kanye has served demo slop to his ever hungry and increasingly deranged fanbase. Supposedly there’s no AI, even though it sure as hell sounds like it on a few of the tracks. And even if all the AI really has been taken out, the mixing is still horrible and the production is empty. How is he still this far up his own ass after creating some of the worst music known to man. Also featuring a pedo ... read more

Her best album. This takes all the great elements of Slayyyter and amplifies it. It’s so camp and executed the aesthetics she was going for near perfectly. Wig = $natched.

Who is listening to this? Noise for the sake of noise. Lyrical content no where to be found. This just isn’t for me at all. Way too chaotic and messy. I’ll never understand the appeal of this kind of ultra experimentation that degrades the song to the point where it is almost not a song anymore. Cherry on top: his voice sucks ass.

Queen is a messy, uneven album that mostly falls flat. Some tracks are solid, but a lot of the songs are generic, overlong, or just forgettable. The production is kind of boring and her personality, which was once the appeal of her music, doesn’t always shine through.

Rainbow is a solid, polished album that shows off Mariah Carey’s impressive vocal range and knack for catchy hooks. Some tracks hit hard with strong melodies and lush production, though a few songs feel a bit formulaic. Not Mariah’s strongest, but not bad.

Pop Evil has some solid rock moments with punchy riffs and big choruses, but most of the album is pretty predictable. A lot of the songs blend together, with generic lyrics and overused rock clichés that make it feel flat. Even when the production is polished, it doesn’t do much to make the tracks stand out. There are sparks of energy here and there, but mostly it’s forgettable.

Reflection has a few decent pop-R&B tracks, but a lot of the album feels generic and uninspired, and some songs are straight-up bad. Safe production and forgettable hooks leave little personality to shine through, especially since all these girls are competing with each other rather than working together to make a truly great project.

Destinée has some catchy moments and shows Aya Nakamura’s signature smooth vocals and playful style, but most of the album feels repetitive and uneven. Many tracks blend together, with production that’s polished but not particularly memorable.

The Clearing is a polished, confident album that blends dreamy, introspective tracks with bursts of rock energy. The songwriting and layered instrumentation give the album depth and make it compelling throughout. Overall, it’s a great and engaging listen.