Inspiring and thoughtful

I'm still rooting for you, Sabrina. I know that one day you'll create a beautiful project.

“Now you're homesick in the evening, a new sighing, a nameless thing, a striking shade: obscures the day”

Unfortunately, Taylor Swift continues to fall into an endless spiral.

It is vehement, and almost ostensibly impossible, to find an album with philanthropic essays Like this. It's something that truly wins hearts again – people who have love are the luckiest people in the world.

hum... is a rudimentary, noise-leaning experimental album whose rawness becomes its main strength. its atmosphere of longing and hopelessness feels strangely comforting, yet deeply unsettling at times

its a house that is so formally beautiful, concise, and also classic. a positive highlight!

restless, motorik-driven record that channels krautrock as process rather than revival. getting killed thrives on controlled instability, letting grooves evolve through persistence instead of payoff. mechanical, visceral, and quietly radical. IM REALLY GETTING KILLED HERE.

an art-punk style with kawaii-future-bass elements, i found it different, bold, and appealing!

un álbum extremadamente honesto en sus letras, hermoso y también vulnerable. la permanencia del amor reina aquí, arraigada en su esencia.

it feels strongly inspired by kate bush, especially in the way it uses violins and other not-so-conventional pop-core elements. theres something genuinely intriguing here. lean harder into the experimental side, and you might just be watching a “classic take” shape

outstanding j-rock infused with shoegaze, it is a very well-driven album and an excellent entry point into post-punk

it sounds a bit repetitive to me and melodically simple, despite having its explosive moments

it denotes a strong apprehension of japanese culture, both in its textures and lyrically. it is an album that, unlike the formalist model of many neoclassical works, is modest, honest, and genuinely pleasant. it is beautiful in its imperfections, and above all, in its sincerity

the disconnection of the autotuned vocals, and the fact that it is also lirically rather mediocre, are detracting points, but the future-bass cloud-rap, with ultraexperimental synthesizers syncretized with trap, genuinely sounds curious