Bite-sized Feldman. Not quite as mind-blowing as some of his other works, but these are still two of the best compositions in the repertoire of postmodern classical, and the most easily accessible Feldman there is. Elusive, quiet, sparse and hypnotic. For someone who is looking to get into this tremendous composer, this is an essential album, especially before you jump into the tremendous String Quartet №2 or For Philip Guston. For the accustomed listener, this album makes it possible to have ...
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