The worst musical tropes from early 2010s hip/hop combined into one project? Hard pass.

This isn't earth-shatteringly good, however...

*clears thoat*

It's kinda a vibe.

For reasons that allude me, music journalism at large continues to reward 100 gecs' talentless attempts at noise-making. The labels of "experimental," "futuristic" and "madness" are constant buzzwords thrown around to describe 100 gecs. These descriptors are all desperate in their attempts to justify what is utterly meaningless musicianship. The music is so infatuated on being "different" it's forgotten to be enjoyable.

The first quarantine cover and hopefully the last.

BEFORE: I haven’t listened yet, but I can assure you it’s the best album ever made. I can’t wait to give it a spin. My expectations are in no way gonna affect my listening experience.

AFTER: Even with my expectations at an ungodly level, Fetch the Bolt Cutters delivered with a listening experience profoundly unique to anything I’ve heard in recent memory.

Watch the Throne? More like Watch the Hallmark Channel with their old ass

73? Y’all should be ashamed.

Caroline Rose knows her image to a science at this point and is making some of the most polished pop music right now.

Not many people know about this band, they're pretty indie. So anyway, I listened to this in my suitcase and I gotta say I liked it quite a bit. Not a great as that wavy album with the ball, but still pretty sick.

How has this not been rated yet? What the absolute fuck. This album is a masterclass in funk and R&B. It truly doesn’t get better than this.

More slappers than snoozers, but still isn’t as well rounded as it’s predecessor. That opening track is crazy though.

Is it too long? Yes. Are there several great songs burried in the tracklist. Yes. Wayne still has life in him, more than I can say for several other artists that have been around for as long as him.

Pretty inconsequential as an album, but the project does showcase his ability as an extremely capable writer. I just hope his next outing is more substantial in length and substance.

This album started off somewhat decent, or at least better than I anticipated. But around track 9 the novelty ran thin and the songs got exponentially more obnoxious. After this Eminem doesn't deserve to be on a top 5 rappers list, let alone number 1. His classics aged badly and everything post-2008 is awful.

This filled the void that Flying Lotus's painfully average album left in my soul

100 gecs is suitable for isolated music torture. This album is a shitty attempt at being different and illustrates the clear absence of any musical skill for its entire runtime. Every song sounds like cheap and distorted versions of DDR tracks. I'm struggling to think of any redeeming qualities about the record. To the people giving this a 100, I'm not calling you liars, but I ain't calling you a truther.

1/10

this album is my purgatory.

Who would've thought both Vic and Chance would fall this far to the bottom? Two of the most promising Chicago artists from the early 2010s put out two of the worst albums of 2019.

The album borders too closely to acoustic Christian rock for my liking. Falling legit sounds like a bible camp ballad. Pretty underwhelmed sadly.

You: The Kinks Are The Village Green Preservation Society
The Guy She Tells You Not To Worry About: Sgt. Pepper's Lonely Hearts Club Band

Severely underwhelming and overrated. This album CTRL-V's their influences without doing their sound different or interesting. The album belongs exactly where the album cover depicts.