‘i destroyed disco’ im glad you fucking know you insufferable bastard
there’s really a special something about will toledo’s whining that really resonates with me
i reach such a state of peace with this album that it has to be in my favourites
this era of radiohead feels very much as if i’m listening to a band find their ‘sound’, to the point where this album’s listening experience feels more like something that’s personal to the band rather than it being made to be commercially successful. that, imo, turns this into a genuinely great album.
The first time I was told about this album it was described as ‘leftovers from Kid A’. That was about a year and a half ago now and i’ve come to the conclusion I actually prefer this album against not only kid a but every other Radiohead album currently released. I must admit it’s not a ‘feel good’ album in any way at all (but you’re listening to Radiohead, what do you expect?) and can be rather bleak at some points, however the dreariness in this album ... read more
aside from amnesiac this has got to be one of my favourite radiohead albums, it feels so much more emotional than any of the others
i love this album but the jokes that mainstream tiktokers have surrounded it with displease me immensely
sometimes i forget how transcendent some of the tracks on this album are which makes the relisten so much more magical
‘sitting in the middle of a field and not talking to anyone’ music
i’ve talked to a couple of bcnr fans who dislike this album purely because it lacks isaac and all i can say to that is it’s obviously going to be different but they still make an amazing band with or without him. if you go into this looking at l@bh as just bcnr, and not bcnr without isaac imo the album would be a lot more enjoyable
introduced me to the fact that people don’t have to use a maximum of four instruments to make an album
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