The two kings of the underground join to create one of the most creatively boisterous hip hop projects of the decade.

For as many times as you can dance along to fun production, you can also unfortunately say the writing behind many of the tracks is lackluster at best.

As far as alternative/experimental hip-hop, ‘Mid-Air’ is nothing really special either than a showing of Paris Texas’ artistic ability.

As far as Avenged Sevenfold goes, ‘Nightmare’ is the, as of today, zenith of their style of metal core.

Inspired, well executed, and a haven of absolutely banging production, ‘Fishmonger’ is pretty much as good as a debut album can get.

Between this and going deaf, the latter option is more appealing.

There’s a couple songs here worth revisiting, other than that, ‘Octane’ is largely forgettable.

Carried by it’s aesthetic and the opium name, ‘A Great Chaos’ is nothing but lazy and hard to listen to.

Pretty much every song here is a banger

Overall, “Rebel” is consistent and a fresh, boundary pushing take on UK drill

Girl, we see U

He certainly has his niche but Carti doesn’t do anything on his newest Lp to warrant a 30 song track list.

It’s silly, it’s fun, it’s genuine. At the end of the day, what more could be asked?

The Scythe demonstrates incredible potential on their collaborative debut. Denzel is his usual boisterous self and Tia Corine is a huge creative highlight, overall, it’s a fun south Florida gangster play date.

Viagraboys always seem to get the blood pumping in a special way.

A step down overall from his previous major Lp, Quaranta is a sobering take on Danny Browns style. It’s still deep, he’s still fun, and still unique as ever.

There’s many things uniquely great about this project overall, however, the vocal processing and ultimately similar production choices hold it back from being truly great.

Revnegseekerz is loud, fun, and terminally online in all the best ways possible.

It represents artistic freedom, but 1000 gecs experimental nature ultimately ends up being nothing but random compilations.

It’s sound is a little shallow, but Object Permanence sounds stylistic and cryptically beautiful all the same.