Abel delivers a decently streamlined lp in the vein of his previous mixtapes, however the unique flair that made them special seems to have been largely lost in translation.

Aside from some great hits, Beauty Behind The Madness is largely forgettable.

A drug induced romp through the heart of Vegas, After Hours is beautifully melancholic and mostly a joy to listen to.

Production is clean and vocals are beautifully done as is to be expected from Abel, however, Hurry Up Tomorrow falls short from what could’ve been a very poignant close to his newest trilogy.

Culturally and sonically, T.P.A.B. Instantly cements itself as an all time classic.

Kendrick has proved he can do so much more than what he does on ‘Damn’, which often leaves this one feeling lackluster in comparison to the rest of his catalog.

This and its sister Ep, stand as Paris Texas’ best show casing yet.

This and its sister Ep, stand as Paris Texas’ best show casing yet.

Iconic for all the right reasons, ‘The Money Store’ feels like scary older brother music in the best way possible.

‘Year Of The Snitch’ is simply Death Grips at the peak of their ability. Their most recent lp to date, is arguably their best.

Much like ‘The Money Store’, ‘Bottomless Pit’ feels like a compilation of the groups best showings at the time of its release.

An ingenious follow up to the bands first album. While not carrying as much tonal weight as the first of its name, Saturation 2 is full of fun tracks and fulfilling song writing that will have listeners coming back.

While not as disappointing as its sister album, ‘TM’ feels completely stripped of what made Brockhampton so great.

An utterly disappointing mess that sounds more like an obligation than a real passionate send off.

Following Brockhampton’s breakup and unceremonious final albums, former vocalist and talent, Matt Champion, shows real promise on his first solo album.

“I Lay Down My Life For You’ is imbued with heavy alternative rock and metal elements, becoming a unique creative highlight in Peggy’s discography.

Beside some very flagrant and fun hits, there is no reason to revisit this project after a first listen.

The Weeknd’s best album in vision and in execution. 80s pop mixed into a dreamy narrative of a man in radio purgatory.

Abel crafts one of the most important RnB projects of the 21st century so far.

Sonically the most unique amongst The Weeknd’s early mixtapes, however it has little staying power and little to no artistic growth.