nothing but thieves cleverly return with experimental alt-rock. the music fuses together many different genres. Conor’s impressive range (Alto and Tenor) highlights every song.

“can you afford to be an individual” may be the best song on this entire album. it begins with 20 seconds of weird electro music and Interpol/nick zinner-esque screeching guitar. then it transforms into a Queens of the Stone Age type desertpower-hardrock banger with Queens’ signature guitar style ... read more

this is: Melody Prochet.

the album opener, “Cross my Heart”, is a dreamy blend of French and English. there are multiple flute solos, eclectic organ, eerie string arrangements, fuzz guitar, breakbeats, breakdowns, psychedelics, samples, layered tracks, and clever mixings.

“Visions of Someone Special, On a Wall of Reflections” persists of deep synthy sounds and swinging orchestrations. it’s got a peaceful energy that is reminiscent of Grizzly Bear and is Adrian ... read more

the album is full of emotional confessions which convey an honest, intimate energy.

bea’s first studio LP is sorta dull throughout the whole listen, and her energy makes up for that.

beabadoobee has an ear for melody. her youthful gift of songwriting is paired with her great flow. she’s on pitch, on time, and in tune.

atmospheric, detailed production is apparent throughout the entirety of this album, especially on “Horen Sarrison”.

“Charlie Brown” is ... read more

king dorian returns with some hyperpop tunes; they self released this which is a POWER MOVE.

the production, mixing, and engineering are quite impressive.

they even got Village People on the title track.. dorian has imperceptible amounts of influence.

“Gentleman” is a track for which i bow down. it’s brief and catchy with a unique mix of jazzy horns and trap beats.

scratching all over: the beat is looking everywhere for its place.