JacksonLerner -
93
my expectations for king gizzard and the lizard wizard are high and wide, yet i was completely shocked to hear their new endeavor ‘butterfly 3000’.

i struggled to understand the microtonal works of this group, so their last two studio albums - ‘k.g.’ and ‘l.w.’ - hadn’t really met my personal standard for king gizzard and the lizard wizard. thus, i simply wasn’t expecting too much when i pressed play on this album; i was totally wrong in ... read more
JacksonLerner -
100
the ‘seven swans’ project feels like an epic work, especially when the holy moments hit: such as when sufjan meets lord during “seven swans”, or, when sufjan narrates the process of dying and growing wings on “we won’t need legs to stand”.

stevens exhibits a sense of unrelenting determination on this equably crazed folk album.

there are certain nonsecular events within ‘seven swans’ which completely impress. the underlying themes of ... read more
JacksonLerner -
97
‘blue weekend’ shines in it bareness. the third album by wolf alice presents a variety of vibes and genres. the result is an expanding, everlasting project which guarantees enjoyment.

by numbing down the rock, and often toning down the volume, somehow wolf alice emerge louder than ever. the group’s emphasis and ideas come across clearer than anything they have previously released.

after winning the coveted mercury prize award, wolf alice had cemented their cult status and ... read more
JacksonLerner -
98
as advertised: ‘for the first time’ is the pinnacle of british engineering. these six tracks encompass an odd type of flawlessness. this record really cannot be any better.

‘for the first time’ is mind-boggling, especially when isaac wood shouts the term “black country!” during the shockingly excellent outro to “science fair”.

the regular mixture of saxophone and violin with the guitar/bass/drums/keys combo creates a unique fusion. the striking ... read more
JacksonLerner -
92
this project is gas. crumb are back and sounding better than ever.

‘ice melt’ means water, and that’s what crumb are on their second lp. the group’s sound flows as smooth as a liquid.

many people attest that crumb’s second album is “underwhelming” and “forgettable”. what i argue is that crumb’s music results in a calm psychosis within the musical environment. thus, this general opinion of mediocrity is simply a misunderstanding of ... read more
JacksonLerner -
78
‘if i could make it go quiet’ is a project which sounds vastly different than the rest of girl in red’s catalogue. it sees marie ulven taking an unconventional direction for her first official lp.

this album is very much appreciated; ulven’s efforts come across as emotionally relatable, especially on “.” and “midnight love”.

some of this record is hit or miss, and “body and mind” is a prime example of when the new style truly hits. ... read more
JacksonLerner -
88
‘typhoons’ is very quality. it’s a slightly unwanted yet welcome change of pace from royal blood.

i enjoy the new direction that royal blood are taking. the group’s stellar instrumentation proves to be impressive as ever, and their craftsmanship is impassable.

side one was the warm up, its purpose to expose the audience to royal blood’s new visions and sound. side two is where ‘typhoons’ takes off. it casually goes off the rails while maintaining a ... read more
JacksonLerner -
91
there are many words in many languages to describe DUDA BEAT’s ‘Te Amo Lá Fora’, yet few can properly capture the essence of this craze.

the international accessibility and scope offered by DUDA BEAT has provided an instant worldwide phenomenon.

the project is consistently stunning and surprising. it’s woke, fire, and quite tight.
JacksonLerner -
81
I DONT KNOW HOW BUT THEY FOUND ME make bold moves on their first LP, as evident on every song.

Dallon Weekes, former bassist for Panic! at the disco (2009-2015) provides mad IQ to the recording process. for each song, he sings lead vocals, plays bass, and writes. throughout the album, he also adds things such as ukulele, and even some production chops.

the songwriting is visual, especially on tracks such as “from the gallows” and “lights go down”.

“leave me ... read more
JacksonLerner -
72
with numerous delays, an inevitable sophomore slump, and an objective approach, i figured that ‘surface sounds’ would be disappointing. however, this album lets down in a much more drastic sense than expected, largely because kaleo are capable of so much more.

on ‘surface sounds’, kaleo play it safe. this project is hardly permissible by the standard formerly set by the icelandic group.

for the years following the successful release of ‘a/b’, kaleo did a ... read more
JacksonLerner -
88
the third installment of 'convocations' is vastly different than the first two, it feels much more intense and even bolder.

flush with colorful music, 'revelations' is full of drastic changes. at times it sounds like familiar territory for stevens, yet 'revelations' is unlike any other sufjan release in terms of ambient detail.

"revelations VI" and "revelations IX" are the two standouts from this disc.

while the album is instrumental, sufjan still uses choirs throughout ... read more
JacksonLerner -
89
kero kero bonito prove they truly are well rested as the group resume their indefinite prime.

they release ‘civilisation II’ on their own terms, dropping an unexpected double single to complete this ep.

the extended runtime of “well rested” helps its structure by allowing the song to expand and relax. instead of kero kero bonito’s extremely tight musical parameters, which result in excellence, this song has more of an exploratory nature. thus, more space is ... read more
JacksonLerner -
88
this live realization of select tunes shows that shame are at the top of their game.

shame’s set contains engaging versions of specific highlights from ‘drunk tank pink’. these live highlights include “snow day”, “born in luton”, and “water in the well”.

shame unexectedly released this live album; their third overall project to date, and first live album. it is fantastic. they are completely succeeding with the european post-punk trend, ... read more
JacksonLerner -
91
‘lamentations’, the second volume of ‘convocations’, presents a collection of works which transports one to a place where they face death and loss.

“lamentations one” starts off as a dreamy, reflective piece with chimes and serenity.

“lamentations two” is a surreal experience. it feels like there’s television static within the music, which pulls one’s attention toward the skillful instrumentals. the song is entertaining, especially ... read more
JacksonLerner -
91
a surreal atmospheric experience that has been completely executed by Sufjan. it’s consistently exceptional
JacksonLerner -
88
the instrumental work is remarkable. the guitar sounds sticky and permeates through the music. meanwhile, the synths are calming, and they bestow some electronic aspects to the music.

there’s a comforting dreaminess present throughout ‘head of roses‘.

the album is a trip comprised of many different vibes:

“price of blue” conveys an indie-country combination. the solos are searing.

“and we're all just wearing bodies
like a costume 'til we die” is ... read more
JacksonLerner -
88
the music unfolds like a sonic book.

since each track is a continuation of the previous one, this album seems to tell a story through the ordered instrumentals.

this project was underwhelming overall, as its lowkey atmospheres and ambient nature do not offer any big crescendos or noise. however, the music remains vastly entertaining.
JacksonLerner -
90
there’s an unpredictability about ‘promises’ which gives this project a distinct edge. there aren’t many creations similar to ‘promises’, as it seems to be a one of a kind mix of ambient, orchestral, and jazz music.

it seems that it is challenging for pharaoh sanders to go slow, as floating points practically demands for the ambient product to be a far reaching, understated soundscape.

an instrumental drama builds throughout the album. london symphony ... read more
JacksonLerner -
78
there’s a rawness to ‘shelf life’ that oozes darkness. the music is hypnotic; there’s an electro, dancing trance that locks the listener in.

alicia wiley’s voice is the best factor of all eyes’ first album. her delivery is on point.

for the most part, the vocals are not even audible, and it’s just pure energy that wiley gives off. it takes effort to make out what is being said, and if one picks up on the lyrics, the music becomes engulfing.

also, ... read more
JacksonLerner -
87
enchantingly hypnotic, lana is as enrapturing as ever. she shows her expert annunciation, and demonstrates her recent evolvement. lana’s previous two projects, ‘nfr’ and ‘violet bent backwards over the grass’, have their vibes coalescing into ‘chemtrails over the country club’.

‘chemtrails over the country club’ is equable and powerful; it’s heartfelt. lana sounds unbelievably clear, and her writing styles are varied. there’s an ... read more
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