ISOxo and Knock2 has quickly risen as new stars of bass music scene, and myself honestly adore most of their work. However, their latest collaborative project feels somewhat average compared to their usual standards. While the album literally has its moments, much of it lean towards festival-style Hybrid Trap tunes that aren't really my preference. Although I understand that the album inclines to live performances rather than normal listens, it just doesn't leave a remarkable ... read more
For me, the entire project is just like a collection of magical symphonies perfectly woven together to invite listeners into a realm of nostalgia and elegance. The production here offers a smooth and lighthearted experience, while the beautiful vocals featured on some songs blends seamlessly with the adventurous atmosphere that flows throughout the soundscape, thus enriching the overall sonic experience. I just can’t quite grasp how miraculously Nigel Good takes me through layers of ... read more
A stunning collection of infectious melodies and nasty basslines makes this album ideal for both dance floors and laid-back listening sessions. While I personally prefer the softer side, the gritty tracks still offer plenty of grooving satisfaction. MPH has proven that he can produce solidly quality UK garage tracks that truly captivate listeners, showcasing his potential to further unleash his signature sound and style as a rising star in the UK garage scene.
Favs: Records
Least: Shoot To Kill
Except for only one standout track, this EP really doesn’t do anything for me. While there are certainly some intriguing sounds and ideas sprinkled throughout, the mixing often feels off and detracts from the overall experience. It’s a shame because there are lots of potentials here; I just wish the execution was more polished.
Fav: Waiting
Least: Losing My Mind
Leaning into the mainstream style and sound of Dancepop, Bishu is still able to deliver a clean, delightful, and charming listening experience through his emo singing combined with a summery atmosphere. While the experimental songs in the latter half of the album don’t quite hit the mark for me, the rest of this record is packed with catchy bops that surprisingly surpass my skeptical expectations for this album. I wish there had been more room for variation here, but overall, it is a ... read more
SABAI's work has markedly felt outdated to me for a long time, and his latest album does little to shift that perspective. It feels like the tracklist here totally lacks sonic diversity and captivating idea, even though it still offers an inspiring listening experience. That being said, the vocals are definitely the standout elements throughout the entire album, with consistent songwriting and deep emotional resonance. Unfortunately, SABAI cannot utilize these advantages to strongly ... read more
(2026 Edit)
It's an alright Alan Walker EP, though the number of ghost producers here still feels liike a fucking gimmick to me
𝐅𝐀𝐕𝐒: Beautiful Nightmare
𝐋𝐄𝐀𝐒𝐓: Lifeline
(2026 EDIT)
WE ARE DISCIPLE
WE CARRY THE RIDDIM
OK but seriously Wheel Bite still bangs, the rest...up to you ig
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