Slowthai has been one of the most exciting artists to come out of the UK in quite some time. His debut album was my favourite album of that year, perfectly characterising the perils of modern day Britain in a way that is equally personal as it is universal. His latest album does not attempt to make such strong political statements as he has before, instead he divides his psyche into two states, presenting himself to the listener as a sort of spectacle.
This spectacle of a person is beyond the ...
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